The esteemed Big House Theatre Company presents an infectiously charming modern parable for the social media age, all about empathy, mortality, and the dangers of faking it ‘til you make it.
Written by Danielle Vitalis (Attack the Block, Youngers, I May Destroy You), The Lie follows Camille, a struggling makeup artist who somehow bluffs her way into a job as a forensic pathologist, with quite literally earth-shattering consequences that are felt even by the gods.
Vitalis’ script is filled with ambition and creativity, taking an already novel idea and executing it with plenty of wit, humour, and even some social commentary, although there are points in the show that aren’t as clear or cohesive as others.
Director Ameera Conrad brings a keen and clever eye to the production, working with movement director Kwami Odoom to get the best out of a committed cast, stacked with comedic talent. One of the most impressive aspects of The Lie is its staging and how effectively Jida Akil’s set design works with Roly Botha’s sound and Thea Bulgin’s lighting to create an eerie atmosphere of limitless, otherworldly potential.
While at times not being the easiest to follow, The Lie poses some pertinent propositions to the Big House Theatre audience. Camille is an unconventional protagonist; her ambition and the desperation of her circumstances often lead her to double down in situations where more privileged leads might pause for reflection. While a less adept script would make a character like this seem unlikable, in this case, Camille’s flaws serve to ground her. This, in tandem with the relationship with her best friends and the enjoyable chemistry between the actors, makes for compelling viewing as they navigate the consequences of their deception.
What truly makes the show stand out is how it portrays the gods. As Camille’s lie spirals out of control, many of the funnier and more creative parts of the show see the gods reacting to it, trying to punish her, and dealing with the mess she made. There’s plenty of humour and dramatic flair to be found in how the gods and goddesses of deceit and death bring their characters to life, and the performers put in engaging, interactive comedic performances to ensure that every inch of the stage is used, much to the delight of the audience.
Overall, The Lie is a thoroughly enjoyable production, brimming with confidence and talent. Every aspect of the show is brought to life in a way that makes clear how much joy, passion, and dedication every member of the promising cast and crew had for the project, meaning you have no choice but to be swept up in the fun of it all.
Listings and ticket information can be found here.
