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Review: Twelfth Night at Network Theatre

"a slightly chaotic, but comical evening"

by Katie Shaw
June 4, 2025
Reading Time: 2 mins read
Twelfth Night at Network Theatre Image supplied by publicist

Twelfth Night at Network Theatre Image supplied by publicist

Taking my seat at the Network Theatre to watch Gavin McAlinden’s adaptation of Twelfth Night, as the cast hollered and threw disco fingers on stage, I could tell I was about to get into: a cheesy, 1970s disco-influenced bundle wrapped up in Shakespearean text. The stage is kept simple and consistent throughout, with a silver backdrop, a bar draped in red streamers, and a coral alcohol shelf – a staple 16th-century furnishing.

Helen Probert as Malvolio and Aryan Chavda and Karl Stefan Hall as the drunken duo Sir Toby Belch and Sir Andrew Aguecheek bring a level of enthusiasm and humour to their characters that make it both a memorable and beautifully bonkers performance. Prilly Lee plays Olivia with charisma, passion, and conviction – an undeniable acting talent.

While these performances worked to elevate this adaptation, I found some of the cast’s dialogue quite difficult to hear due to a lack of enunciation and projection on stage. This made it a little hard to follow the play, if you aren’t already familiar with the storyline.

       

I found Feste’s solos somewhat awkward and redundant, though Lina is clearly a talented performer and certainly shines on stage. The only time I found that any of the solos truly added something to the scene is Malvolio serenading Olivia with On Top of the World while donning bright yellow stockings and a garter. Rest in peace William Shakespeare, you would have loved The Carpenters.

Other notable performances come from Nieve Hearity as Maria, the unruly prankster who serves Olivia; Caitlin Plummer, who brings a calm vulnerability to Viola which makes her incredibly likeable; Tom Hilton as the level-headed Sebastian; and Charles Worthington as the cheerful Duke, Orsino.

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I wasn’t blown away by this adaptation, but it is entertaining at times, has a great mix of Shakespearean tongue and 1970s tunes, and, if you’re lucky like I was, you’ll get audience members around you shimmying their way through the music at the scene changes, resulting in a slightly chaotic, but comical evening.

Listings and ticket information can be found here.

Katie Shaw

Katie Shaw

Katie is a writer living and working in London. Having long dreamed of becoming the youngest Oscar winner for screenwriting, she has, for now, set a more realistic goal: to become an author. She loves the theatre, film, museums, history, and most days can be found with an overpriced matcha in her hand.

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