With its reputation as the powerhouse of independent theatre, Orange Tree Theatre presents this latest interpretation of Chekov’s Uncle Vanya. Adapted and directed by Trevor Dunn, the production now sits among the performances of his esteemed career. Having directed all 37 of Shakespeare’s plays, he thought it was about time he started ticking off Chekov.
The play takes place in Russia at Professor Alexander’s country estate. He returns with his young new wife and catalyses a shift in household dynamics and a domino effect of unrequited loves.
There is a strong preoccupation with time, of age and ageing, of time wasted and lost youth. With characters from multiple generations, the unifying factor is their unhappiness and the crisis that is a squandered life. Having depicted this rather dismal backdrop, I should say the play also has the power to tease and jest; multifaceted in its despair and humour.
Uncle Vanya exudes intimacy. Set in the round, with the audience enveloping the stage, I was drawn in and quickly invested in the, somewhat unconventional, family dynamics. While simple, there was an attention to detail when it came to the set and props that enhanced the realism. I was particularly fond of the weeds growing through the floorboards: perhaps a metaphor for the declining estate and its inhabitants.
Madeline Gray (Sonya) was without a doubt my standout actor. My eyes were continuously drawn to her, with her ability to convey such captivating expression and emotion, her presence was scene-stealing. It is no surprise, then, that my favourite scene was one of hers, along with Lily Sacofsky (Elena).
The women unite, abandoning grudges, extending forgiveness, and toasting to friendship. This scene, like much of the play, is intricately shaped by bursts of energy. We watch the women confide in one another, gossip, cry, and laugh. Perhaps its power, in part, comes from my own identification with female friendships. Although I am not sure if the scene, nor the play, passes the Bechdel test.
Written over a century ago, one might assume there is little to identify with today. However, amidst the historical backdrop, themes such as women’s rights and environmentalism crop up. I found relatable nuances – the familiar allure of a crush, the sense of invincibility when drunk, and, of course, the instinct to turn to discussing weather when faced with an awkward situation.
Uncle Vanya is a skilfully acted, and beautifully staged play that explores the intensities and aggressions of love and ageing.
Uncle Vanya is at The Orange Tree Theatre until 13th April 2024
