For theatregoers, the festive season is often a time for tradition—perhaps a trip to the local pantomime or a return visit to Charles Dickens’ A Christmas Carol. For many of us, however, a new tradition has emerged: the always lavish and entertaining Christmas production at The Mill at Sonning. This year’s show, White Christmas, does not disappoint.
For those familiar with the venue, every ticket includes a two-course pre-performance meal, ensuring you enter the auditorium with a full belly and a warm, cosy feeling, no matter the weather outside. That comforting atmosphere is enhanced by Jason Denvir’s set design, which seamlessly transports the audience from an army camp to the iconic Ed Sullivan show studio and onto a quaint inn in Vermont. Each scene is beautifully realised, adding to the festive magic of the production.
White Christmas is a heartwarming musical set against the backdrop of post-World War II America. It follows two former soldiers, Bob Wallace and Phil Davis, who, a decade after leaving the army, have become successful Broadway entertainers. Their planned trip to Florida is diverted as they follow sisters Betty and Judy Haynes to Vermont. Bob and Phil, eager to help their former commanding officer, General Waverly, whose inn is struggling, decide to organise a big show to attract guests. Along the way, romance blossoms between Bob and Betty, while Phil and Judy’s more comedic antics offer a delightful contrast.
The score is packed with Irving Berlin’s timeless tunes, including the iconic title track, and in this version, directed beautifully by Jonathan O’Boyle, the music underpins every successful element of the show. There are some spectacular song-and-dance numbers, most notably at the end of Act One and the start of Act Two. Gary Lloyd’s choreography includes impressive tap routines, and while the movement encapsulates the era, it feels fresh and exciting, with each step adding a spark to the production.
Every performer brings energy and charisma to the stage, with standout moments keeping the audience captivated. Shirley Jameson’s brash and empowered Martha plays off wonderfully with Mark Curry’s retired General, while Shem Omari James delights as the suave Sheldrake. The Haynes sisters, played by Nic Myers and Gabriella Williams, are charming, with the latter dazzling in a solo number.
There’s a lovely chemistry between the two male leads: Jason Kajdi plays the uptight Bob with nuance and flair, while Connor Hughes is effortlessly effervescent as the flirtatious Phil. The pair handle the song-and-dance routines with ease, and their chemistry is palpable from the opening number, effortlessly charming the audience.
It would be hard not to be enraptured by White Christmas, which wraps up in a way that leaves the audience feeling both joyous and content. With an unforgettable score, enchanting choreography, and heartfelt performances, this production delivers the perfect dose of festive magic. Audiences may enter with a full belly, but they will leave with a full heart and a smile that lingers long after the lights go down.
