• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News

Waiting for Godot to Visit Stephen Joseph Theatre

by Staff Writer
October 23, 2017
Reading Time: 4 mins read
Waiting for Godot at Stephen Josephs Theatre

Waiting for Godot at Stephen Josephs Theatre

[fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ layout=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none” last=”no” hover_type=”none” link=”” border_position=”all”][fusion_separator style_type=”none” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” sep_color=”” top_margin=”10px” bottom_margin=”10px” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”center” /][fusion_text]

A new production from Bristol’s Tobacco Factory Theatres of Samuel Beckett’s iconic Waiting for Godot visits Scarborough’s Stephen Joseph Theatre next month.

Christopher Bianchi, Colin Connor, David Fielder (last seen at the SJT in last year’s touring production of And The Come the Nightjars) and John Stahl star in this iconic play, with young local actors Seth Pickering and Sam Tennant taking on the role of The Boy. The production plays at the Stephen Joseph Theatre from Wednesday 22 to Saturday 25 November.

       

When it was first performed in Paris in 1953, Waiting for Godot shook the foundations of the theatrical landscape at the time. Brought to London by the late Sir Peter Hall, at its British premiere two years later the theatre critic Kenneth Tynan remarked that the play had ‘changed the rules of theatre’. Now, 65 years later, Waiting for Godot is as fresh and urgent as ever.

Tobacco Factory Theatres’ production of Waiting for Godot is directed by Mark Rosenblatt, who was Associate Director at the West Yorkshire Playhouse from 2013 to 2016. He was the Associate Director at the National Theatre Studio from 2011 to 2013 and ran Dumbfounded Theatre from 2001. In 1999 he won the JMK Award for Young Directors and he now serves as the JMK Trust’s Vice-Chair.

You mightalso like

Endgame By Samuel Beckett Image supplied without credit by publicist

Edinburgh Fringe Preview: Endgame at Pleasance at EICC

Stockard Channing and David Westhead. credit Jillian Edelstein

Stockard Channing makes directorial debut with Krapp’s Last Tape ahead of Edinburgh Festival run

Mark says: “There aren’t many plays that make a splash in popular culture. It’s a high-wire act and yet it is written with such certainty and confidence, so precisely and with such brilliant comic patterns. It plays with the biggest universal ideas – hope, trying hard to get through life, filling time, purpose, wondering what it all means and how we use and abuse relationships. And yet, somehow – and I think this is where its magic really lies – it manages to do so in a way which resists explaining itself. It’s rich and specific and inexplicably about everything and nothing.”

[/fusion_text][fusion_separator style_type=”none” top_margin=”20″ bottom_margin=”” sep_color=”” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”center” class=”” id=”” /][fusion_title margin_top=”” margin_bottom=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” size=”3″ content_align=”left” style_type=”none” sep_color=””]

More from Theatre Weekly…

[/fusion_title][/fusion_builder_column][fusion_builder_column type=”1_2″ layout=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none” last=”no” hover_type=”none” link=”” border_position=”all”][fusion_widget_area name=”avada-custom-sidebar-androidsidebar” background_color=”” padding=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” /][/fusion_builder_column][fusion_builder_column type=”1_2″ layout=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none” last=”no” hover_type=”none” link=”” border_position=”all”][fusion_widget_area name=”avada-custom-sidebar-righthandnews” background_color=”” padding=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” /][/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

Endgame By Samuel Beckett Image supplied without credit by publicist
Edinburgh Fringe 2026

Edinburgh Fringe Preview: Endgame at Pleasance at EICC

Stockard Channing and David Westhead. credit Jillian Edelstein
News

Stockard Channing makes directorial debut with Krapp’s Last Tape ahead of Edinburgh Festival run

Stockard Channing and David Westhead. credit Jillian Edelstein
Edinburgh Fringe 2026

Edinburgh Fringe Preview: Krapp’s Last Tape at Upstairs at The Roxy

News

Cast Announced for Handbagged at Scarborough’s Stephen Joseph Theatre

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Phantom of the Opera 40th anniversary cast All images supplied without credit by publicist

Phantom of the Opera announces star-studded 40th anniversary cast at His Majesty’s Theatre

Jessica Ibadin, Liberty Stottor and Lou Henry Heathers The Musical (Rehearsal Images) Photo credit Mark Senior

Heathers the Musical releases rehearsal images ahead of London return and UK tour

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly