• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News

Young Vic Associate Company Crying in the Wilderness Productions Present Conundrum

by Staff Writer
October 12, 2021
Reading Time: 3 mins read
Conundrum c Sarah Hickson Crying in the Wilderness Productions

Conundrum c Sarah Hickson Crying in the Wilderness Productions

The Young Vic will present Conundrum, the debut production from Crying in the Wilderness Productions as a Young Vic Associate Company. This evocative new drama, written and directed by Paul Anthony Morris, dives headlong into a powerful exploration of one man’s trajectory of embracing then owning self-acceptance. Conundrum opens in January 2022, having been delayed due to the pandemic.

Anthony Ofoegbu (Barber Shop Chronicles) plays Fidel, who prompted by old diary entries, conducts a personal life review to identify his greatest challenges. Possessing an unusually high IQ and initially critiquing society, Fidel becomes alarmed by the prospect that he too, is responsible for undermining his own wellbeing. Perplexed by this conundrum, Fidel embarks on a reflective journey seeking answers to some of life’s most relatable questions: Who am I and why am I here?

Kwame Kwei-Armah, Artistic Director of the Young Vic, said: “I am delighted that Crying in the Wilderness Productions are finally getting to bring their debut piece to our stage, having been delayed by the pandemic. The show’s introspective and philosophical nature asks urgent questions that we as a country are grappling with – arguably more than ever before”.

       

Paul Anthony Morris, Writer, Director and Artistic Director of Crying in the Wilderness Productions said: “Performing Conundrum at the Young Vic, provides us with a great opportunity to showcase our theatrical style which we call ‘Theatre of the Soul’ in its entirety, for the very first time. The prospect of being able to finally share our creative ideas, especially after the past 18 months, to a live and new audience is very exciting”.

Anthony Ofoegbu said: “Playing Fidel will be a tremendous undertaking. Not only will it nourish me as an actor, but also we hope nourish the audience coming to share the experience of his story”.

You mightalso like

Joe Pitts (Sila) credit Martin Jones

The Da Vinci Code Rehearsal Images Released Ahead of Salisbury Playhouse Opening

Some of the cast of the DaVinci Code images supplied by publicist

Full Cast Announced for The Da Vinci Code Stage Adaptation

Written and directed by Crying in The Wilderness Productions’ Artistic Director Paul Anthony Morris, Conundrum utilises Ofoegbu’s verbal and physical dexterity to full effect in this tightly woven 70-minute performance.

The cast includes Anthony Ofoegbu, with Filip Krenus and Voice Work by Rachel Summers. Conundrum is Designed by Sean Cavanagh, with Lighting Design by Jack Weir, Choreography by Shane Shambhu and Associate Direction by Angela Ekaette Michaels.

Conundrum is at The Young Vic 14th January to 4th February 2022.

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

Joe Pitts (Sila) credit Martin Jones
First Look

The Da Vinci Code Rehearsal Images Released Ahead of Salisbury Playhouse Opening

Some of the cast of the DaVinci Code images supplied by publicist
News

Full Cast Announced for The Da Vinci Code Stage Adaptation

An Oak Tree, artwork
News

Tim Crouch’s An Oak Tree to be staged at the Young Vic in the play’s 20th anniversary year

Punch photo credit Marc Brenner
News

James Graham’s Punch Extends Run at Young Vic

Comments 1

  1. Pingback: Interview: Anthony Ofoegbu on Conundrum at The Young Vic - Theatre Weekly

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Spin A Play (Credit Lynsey Nicol)

Spin-a-Play Brings Improvised Chaos to Camden Fringe 2025

The sound of Music Cast Image supplied by publicist

The Sound of Music Full Cast Announced for Curve’s 2025 Christmas Production

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly