• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News

Battersea Arts Centre Announces 2026 Spring Season

Groundbreaking world premieres, UK premieres and two festivals unveiled for BAC’s ambitious new season

by Staff Writer
January 19, 2026
Reading Time: 3 mins read
Second Trimester Krishna Istha Credit Josh Quinton

Second Trimester Krishna Istha Credit Josh Quinton

Battersea Arts Centre has announced its 2026 spring season, revealing a wide ranging programme of new work, international collaborations and major building takeovers.

The season features the World Premiere of Second Trimester, created by performance artist Krishna Istha and their mother Geetha Shankar, directed by Milli Bhatia.
Running from 14 to 25 April, the piece explores multi generational pregnancy stories, loss, gender and inherited memories in an epic, cinematic staging.

A major building takeover arrives in the form of Swingers: The Art of Mini Golf, a playable art exhibition making its UK Premiere from 17 June to 26 July.
Featuring nine artist designed mini golf holes, contributors include Miranda July, Kaylene Whiskey, Delaine Le Bas and Saeborg.

       

The season also includes the UK Premieres of Monica by Pablo Lilienfeld and Federico Vladimir from 1 to 2 May, and Bunny by Daniel Kok and Luke George from 4 to 6 June as part of the Queer East Festival.
In addition, The Present is Not Enough by Silvia Calderoni and Ilenia Caleo runs on 26 and 27 March.

Two festivals are part of the programme.
Bloom returns from 8 to 16 May with five genre defying works developed at BAC.
Homegrown, curated by young producers, runs from 25 to 30 May.

You mightalso like

Agents talking about their ideas Credit Victor Oderinde

The Agency of Change Launches as Independent Youth-Led Charity

Heeramandi Image supplied by publicist

Stratford East Announces South Asian Programme for July 2026

Opening the season is A Public Address, co produced with Quarantine and running from 16 February to 14 March.
The takeover features four works including Why I Am and Why I Am Not, 12 Last Songs, The People of Lavender Hill and No Such Thing.

Creative Director Pelin Başaran says, “This season brings together bold, radical work that engages with the world as it is: complex, political, playful and alive. The programme speaks directly to communities and voices that are often marginalized, creating a season that is energising, provocative and unafraid to take risks. It invites audiences to consider what connects us, what we desire, and how we nurture one another in the imagining of alternative world. BAC is uniquely placed in London where you can encounter boundary pushing work year round, with artists who actively experiment with form and challenge norms. The strong international presence across the season signals what’s to come. It reflects our commitment to being a year round home for international work in the capital and lays the foundations for LIFT in the years ahead.”

Artistic Director and CEO Tarek Iskander adds, “BAC has always been a place where artists are trusted to take risks — with ideas, form and the questions they’re asking of the world. This season reflects that spirit, from work originated and developed here in our building on Lavender Hill, to artists from across the world coming through our doors. That belief in creative freedom goes hand in hand with our commitment to widening access with Pay What You Can tickets, so that ambitious, exceptional art and performance can be experienced by as many people as possible.”

Listings and ticket information can be found here. 

       
Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

Agents talking about their ideas Credit Victor Oderinde
News

The Agency of Change Launches as Independent Youth-Led Charity

Heeramandi Image supplied by publicist
News

Stratford East Announces South Asian Programme for July 2026

Blue Mist Production RC. Ali Wright
News

Blue Mist Announces National Tour from June to July 2026

Number 60 pictures by Hideto Maezawa
News

Queer East Festival Unveils 2026 Performing Arts Programme

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Great British Theatres Awards Image supplied by publicist

Applications now open for inaugural Great British Theatres Awards

Edward Kaye, Matthew Romain, Ian Oakley Image credit Craig Sugden

Final celebrity Sheriffs announced for Whodunnit [Unrehearsed] 4 at Park Theatre

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly