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Home Edinburgh Fringe 2025

Edinburgh Fringe Review: Candlelight Classic Rock in the Round at Assembly @ Dance Base

“A captivating, atmospheric performance"

by Liv Pullman
August 17, 2025
Reading Time: 3 mins read
Candlelight Classic Rock in the Round image supplied by publicist

Candlelight Classic Rock in the Round image supplied by publicist

Four Star Review from Theatre WeeklyIf you’ve been binging on stand-up and theatre at the Fringe and fancy a change of pace, Candlelight: Classic Rock at Assembly Dance Base offers a refreshing, immersive alternative. Set in a warmly lit, intimate space surrounded by flickering candles, this show is a meditative blend of live violin and contemporary dance.

At its centre is the creator and violist Christopher Vuk (Blue Violin), whose playing is often haunting and spine-tingling, filling the room with rich, resonant sound. At times, his touch on the strings produces moments of breathtaking beauty – the kind of sound that makes the whole room fall still. Alongside him, a solo dancer brings the music to life with an exquisite performance. Her movements are fluid, expressive, and utterly absorbed in the melodies. There is something uniquely powerful about watching dance this close up – the flicker of candlelight on her gestures makes the experience even more spellbinding. It is clear she loves what she does, and that joy radiates to the audience.

For the most part, the performance is assured and deeply engaging, with evocative lighting and stage mist to match. On occasion, the acoustics seem to betray the violin’s brighter edges, resulting in a few slightly squeaky moments, but these do little to dampen the overall beauty of the show.

       

The synergy between the two performers is striking. Violin and dance entwine, creating a dialogue between sound and movement that is deeply memorable. The setlist of classic rock covers is reimagined with sensitivity, transforming familiar tracks into something fresh and unexpected. Not every number lands equally well, though: a Barbie-pink themed segment feels like a stylistic outlier, its energy sitting slightly jarring with the otherwise moody, rock-infused set. Still, it’s a brief diversion, and the show quickly regains its footing.

One of the most poignant moments comes when Vuk pauses to share a personal story about stepping away from music, only to return thanks to the inspiration of his young son. It’s a tender, grounding interlude that makes the stunning rendition of Oceans that follows especially moving, steeped in vulnerability and quiet strength.

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The finale is a stirring take on one of Lynyrd Skynyrd’s most loved tracks. The violin soars, brimming with energy as the dancer mirrors every surge of sound, their movements amplifying the music into an electrifying close.

Candlelight: Classic Rock is a captivating, atmospheric performance – an intimate fusion of sound and movement that offers the perfect diversion amidst the chaos of the Fringe.

Liv Pullman

Liv Pullman

Liv is a seasoned Fringe fanatic, having worked amongst its shows and performers at the Edinburgh since 2005. She loves writing about shows that get audiences talking, the ones that both Fringe staff and the public go mad for, regardless of how famous or discovered they might be. Her favourite type of show is comedy, but loves a good bit of emotional theatre too. Liv has also spent time at Fringe shows in Australia in New Zealand, but now spends all her time in Edinburgh as a mum and writer/publicist.

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