Writer and performer Lauren O’Brien brings something quite distinctive to the Fringe in Lolo’s Boyfriend Show. The winner of the Audience Choice Award at the New York City Fringe Festival has cast its magic here in Edinburgh with a spellbinding narrative and a fun-filled costume-change spectacular.
Boyfriend-seeking Lolo is stopping at nothing in this one-woman show to find the man who will fulfil her needs and make her happy. Disaster, however, is never far away, but it does not stop or slow Lolo’s search for the ideal mate, as each one could be “the perfect match”.
Lolo is expressive, dynamic and brimming with vitality. We are privy to her endeavours and exploits as she manoeuvres her way through the sequencing of her somewhat fragile love life. We get acquainted with her mother, who shows little sympathy, and her list of lovers—Lolo frequently falls for the wrong one, but a subtle desperation fizzes within.
Lauren O’Brien’s talent shines through, effortlessly switching into a New York accent when depicting one of Lolo’s lovers and an Irish accent when portraying her mother. Lolo, however, seems deeply attached to her perception of beauty and seeks validation.
There is a darker side to this big-personality character, as we discover how far she is willing to go to gain affection and love. She dabbles in edgy and sordid acts during her encounters, becoming submissive and easily led astray. Yet her warmth, enthusiasm and utter compulsion to keep going—to have something to get her teeth into—guides us through her ongoing plight.
Her personality is contagious and excessive to the limit, but she may grow on you. The play features an interactive screen that creates a backdrop for the setting and enhances poignant scenes where Lolo is emotionally fragile and teetering on the edge of destructive thoughts.
This alternative comedy is tragic at times and includes potential triggers, featuring self-harm, scenes of a sexual nature, and references to religion in the context of sexual relationships.
From the young Lolo with glasses and braces to the adult version who turns to music, the underlying theme of “beauty” and “pretty faces” persists. There is a hauntingly superficial reality that takes us to the depths of Lolo’s despair, and when she triumphs at the end of her journey, the sense of accomplishment is palpable and deserved.
Lauren O’Brien opens the door and allows us to experience Lolo’s search for herself—to find that missing piece, fulfilment, and ultimately, peace.
