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Home Edinburgh Fringe 2025

Edinburgh Fringe Review: The Nature of Forgetting at Pleasance Courtyard (Grand)

“A masterpiece of physical theatre”

by Greg Stewart
August 10, 2025
Reading Time: 3 mins read
The Nature of Forgetting image courtesy of the production

The Nature of Forgetting image courtesy of the production

Five Star Review from Theatre WeeklyTheatre Re’s The Nature of Forgetting returns to the Edinburgh Fringe with a triumphant revival that is nothing short of breathtaking. This masterful production, staged at the Pleasance Grand, is a poignant and visually stunning exploration of memory, identity and the bittersweet beauty of life.

Conceived and directed by Guillaume Pigé, the piece follows Tom, a 55-year-old man living with early-onset dementia, as he prepares for his birthday party. What begins as a simple morning routine quickly transforms into a kaleidoscopic journey through his past. From the innocence of first love to the joy of fatherhood, Tom’s memories resurface in vivid fragments, each tinged with the heartbreak of what is slipping away.

What makes The Nature of Forgetting so extraordinary is its commitment to physical storytelling. Words are few, yet the emotional resonance is profound. The ensemble cast, led by Pigé himself as Tom, deliver performances of remarkable sensitivity and precision. Claudia Marciano, Calum Littley and Luna Tosin shine in their respective roles, seamlessly shifting between characters and timelines with grace and clarity.

The original live music, composed and performed by Alex Judd (alongside Henry Webster and Nathan Gregory), is utterly sublime. It weaves through the action like a second narrative, lifting scenes to euphoric heights and grounding others in quiet sorrow. The score is not just accompaniment, it is the heartbeat of the production.

Visually, the show is a marvel. Movement is choreographed with meticulous care, each gesture layered with meaning. Costumes and props, designed by Malik Ibheis, evoke nostalgia without sentimentality, while Katherine Graham’s lighting design adds texture and emotional depth.

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Developed in collaboration with the Alzheimer’s Society and neuroscience expert Professor Kate Jeffery, the production is rooted in both scientific insight and human truth. It is a rare example of theatre that is intellectually rigorous and emotionally generous.

The Nature of Forgetting is a celebration of life in all its complexity. It reminds us that even as memories fade, something essential remains. This is a production that transcends language and borders. It is universal, unforgettable and deeply moving. A masterpiece of physical theatre that speaks directly to the soul.

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

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