• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2019

Edinburgh Preview: Admiring La Stupenda at Greenside @ Nicolson Square

by Staff Writer
June 25, 2019
Reading Time: 1 min read
theatre weekly Stupenda

theatre weekly Stupenda

You mightalso like

Category Is Macbeth Image supplied by publicist

Category Is: Macbeth Announces All-Drag Shakespeare Reimagining

Marylin Monroe Sinematic Image supplied by publicist

Hollywood‑Inspired Cabaret Sinematic Arrives in London

Admiring La Stupenda
Greenside @ Nicolson Square (Emerald Theatre)
2nd – 17th August (not 11th)
15.00 (50 mins)
Book Tickets

Whether you love opera or not, try it. This poignant and funny performance of anecdote and movement explores an opera queen’s love of Joan Sutherland (and encounters with La Stupenda), while reflecting on his relationship with his mother. A playful homage to Kazuo Ohno’s iconic butoh performance, Admiring L’Argentina. Camp storytelling, lyrical movement; a captivating display of light and dark, absence, humour and diva worship for dance, theatre and opera lovers alike. Laughing and crying optional, that warm glow of being in the company of someone passionate about their topic, highly likely.

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

Category Is Macbeth Image supplied by publicist
News

Category Is: Macbeth Announces All-Drag Shakespeare Reimagining

Marylin Monroe Sinematic Image supplied by publicist
News

Hollywood‑Inspired Cabaret Sinematic Arrives in London

LtoR Kate Butch as HuntsThem, Tayris Mongardi as Snow White, Kitty Scott Claus as the Fairy, Sophia Stardust as Page in SNOW WHITE Credit Harry Elletson
Reviews

Review: Snow White at Emerald Theatre

Oliver Clothezoff as Drag King Prince (centre) in SNOW WHITE Credit Harry Elletson
First Look

First Look: Production Images Released for Snow White at Emerald Theatre

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Noah Galvin and Josh Radnor will star in Hit Machine Image Credit Emilio Madrid

Josh Radnor and Noah Galvin to make London stage debuts in world premiere of Hit Machine

Let The Right One In Rehearsals Credit Johan Persson

Rehearsal images released for National Youth Theatre’s Let the Right One In

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly