• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2019

Edinburgh Review: I Wish My Life Were Like A Musical at Underbelly Bristo Square

by Greg Stewart
August 8, 2019
Reading Time: 3 mins read
Edinburgh Review I Wish My Life Were Like a Musical

Edinburgh Review I Wish My Life Were Like a Musical

Let’s be honest, we’d probably all enjoy life just a little bit more if it resembled something out of musical theatre; if every problem could be solved with a catchy tune or a showstopping dance number, life would be pretty sweet.  Alexander S. Bermange’s I Wish My Life Were Like a Musical embraces this notion, giving us a hilarious frolic through sixty minutes of unadulterated love for musical theatre.

This song cycle follows four aspiring musical theatre performers, from completing their final days at drama school to making it on to the West End stage.  Each song gives us another insight in to the challenges, pitfalls and opportunity that every aspiring musical theatre performer comes across.

For anyone who works in the industry, or is a particularly avid fan of musical theatre, there will be the added benefit of picking up on all the little in-jokes or ‘easter eggs’ that are littered throughout I Wish My Life Were Like a Musical. But for the entire audience there’s a fantastically funny, yet fully formed score just waiting to be enjoyed.

       

The songs are generally upbeat and catchy numbers, reminiscent of some of our favourite West End musical scores.  They tackle everything from the horrors of a love scene, to working with a diva and the fans who wait by the stage door night after night. Directed and choreographed by the talented Chris Whittaker, his vast experience of stage work clearly shines through, making this Fringe song cycle feel bigger and bolder in every way.

A superbly talented cast keep the audience delighted throughout. Charlotte Anne Steen gives a particularly strong performance in one of the few ballads about aspiring to be a performer, while Felix Mosse is outstanding in both the big vocal numbers and the more comedic routines.

You mightalso like

Hatched Album Artwork image supplied by publicist

Girl-power audio musical, Hatched! releases new album starring West End cast

Don't Call Me China Doll credit Ian Kuo

Edinburgh Review: Don’t Call Me China Doll at Underbelly, Bristo Square

James Hume is very funny in a number about going on stage while sick, and Charlotte O’Rourke also impresses with a range of vocal styles.  With nods to ‘stunt casting’ and theatre etiquette, it very cleverly sets the scene for life in musical theatre.  I especially enjoyed a number about over the top dance routines which have been “choreographed by a masochist”, I’m sure I’ve seen their work!

I Wish My Life Were Like a Musical is a fantastic showcase of comedic, but exceptionally well-written songs which take us behind the scenes of the magic of musical theatre, and reminds us why we all love musicals in the first place.

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

Hatched Album Artwork image supplied by publicist
Digital

Girl-power audio musical, Hatched! releases new album starring West End cast

Don't Call Me China Doll credit Ian Kuo
Edinburgh Fringe 2024

Edinburgh Review: Don’t Call Me China Doll at Underbelly, Bristo Square

Come Dine With Me credit Mark Senior
Edinburgh Fringe 2024

Edinburgh Review: Come Dine With Me: The Musical at Underbelly, Bristo Square

The Ghost of White Hart Lane credit Rob White
Edinburgh Fringe 2024

Edinburgh Review: The Ghost of White Hart Lane at Underbelly, Bristo Square

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Dracapella image supplied by publicist

Dracapella Leads Park Theatre’s Upcoming Season Announcements

BAT OUT OF HELL The Musical Tour Credit Chris Davis Studio

Review: Bat Out of Hell The Musical Tour at Peacock Theatre

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly