Out of Woodstock at the Underbelly Cowgate is a gripping exploration of youthful rebellion and the chaos of Woodstock ’99. Written and directed by Tom Foreman, this psychodrama delves into the turbulent journey of a 90s teenager, Robbie, who seeks solace in the infamous festival following a heartbreak.
Celebrating the 25th anniversary of the festival that was supposed to revive the feeling of love and freedom, the show is a volatile mix of nostalgia, anarchy, and self-discovery, set against a backdrop of iconic music from bands like Limp Bizkit and the Red Hot Chili Peppers.
The music is a highlight, including hits from multiple eras. Different pockets of the audience reacted as different songs were played, and you can see how the show will have stirred up memories amongst those who watch it.
The production is enhanced by this dynamic soundscape and the lighting design, which effectively evokes the frenetic atmosphere of Woodstock ’99. The psychedelic sequences and rave scenes are particularly well-executed, loud, and overpowering, immersing the audience in the festival’s sensory experience.
Max Beken delivers a standout performance as Robbie, embodying the character’s descent into a substance-fuelled odyssey with remarkable energy and passion. His portrayal captures the raw emotions and moral complexities of a young man grappling with identity and belonging amidst the festival’s chaos.
Beken’s powerful performance conveys both vulnerability and defiance, which adds depth to the narrative, drawing the audience into Robbie’s world. Voiceovers are used to portray additional characters in the story, and their inclusion further highlights Beken’s masterful performance.
Foreman’s script ambitiously tackles issues of youth culture, excess, and the search for meaning, yet occasionally falters in delivering a cohesive message. Some plot points feel underdeveloped, leaving certain character arcs unresolved. This is most noticeable as Out of Woodstock attempts to address misogyny and the treatment of women more broadly. Despite this, the production’s strengths lie in its ability to provoke reflection on the parallels between the past and present.
Out of Woodstock is a compelling piece of theatre that captures the spirit of a tumultuous era while resonating with contemporary audiences. It is a raw and energetic portrayal of a pivotal cultural moment, even if it occasionally struggles to fully realise its thematic ambitions. This production is a testament to Foreman’s growing reputation as an exciting playwright.
