Physical theatre performers DON GNU return to the Edinburgh Fringe with their new show: Tennis. In a limited run at ZOO Southside, this show marks a happy occasion for Artistic Directors Jannik Elkær and Kristoffer Louis Andrup, who are back on stage together for the first time since their previous show A Snowball’s Chance in Hell.
It’s Wimbledon, 1980. Blood-sport, slapstick comedy, and dance are mixed up by two anti-heroes trying to untangle the net they themselves have entangled. We follow a nerve-wracking battle of tango wrestling, dirty tricks, and the best 80s style in the all-important tennis final.
But who are we really fighting? Not just an action-packed show, Tennis is also a poetic hunt for what it truly means to have a fighter’s spirit. In these moments of more profound exploration, there’s a real sense of depth in the performance. They do feel a little few and far between, though, which is a shame for audience members looking for more substance.
DON GNU describe this as a non-verbal show, which is a little misleading as there is some use of voice and even singing. For those who enjoy slapstick comedy, there’s certainly plenty of that, and it seems to be very well received by the majority of our audience. The dance style is probably best described as “interpretive”, with chaotic partner work in abundance.
Being the directors as well as the performers can bring the added advantage of a real understanding and embodiment of the performance. That certainly seems the case here, as Jannik Elkær and Kristoffer Louis Andrup are not only individually committed to the performance but together move so harmoniously. Their enjoyment of being part of the Edinburgh Fringe and sharing the stage together is palpable and floods into the audience.
For those who are looking for a light-hearted laugh, Tennis could well do the job if you prepare to witness tennis as you’ve never seen it before. Whilst DON GNU’s slapstick style might not be for everyone, it’s certainly unique and proud to be so.
