• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2022

Edinburgh Review: The Land of Lost Content at Pleasance Courtyard

by Greg Stewart
August 18, 2022
Reading Time: 3 mins read
Henry Madd in The Land of Lost Content courtesy of the Company

Henry Madd in The Land of Lost Content courtesy of the Company

Four Star Review from Theatre WeeklyPeople growing up in cities will never fully appreciate the quirks and nuances that come from spending your childhood in small towns.  The Land of Lost Content by Henry Madd, currently playing at Pleasance Courtyard this Edinburgh Fringe, captures in stunning detail the effect rural living can have on formative years.

“It’s easier telling other people’s stories than my own,” says Henry (played by Madd) but of course, when the population of a town is smaller than an average London tower block, everyone’s stories are interconnected.  As Henry and childhood friends come back together for a reunion, the warm feeling of home is soon replaced with memories of a hedonistic youth.

Madd’s play is a two hander, with Henry and Jake (Marco Titus) giving us the main thrust of the story, but they also portray multiple other characters who inhabit the town of Ludlow.  Like most small communities, it is the pub – The Flat Earth Inn – that serves as a back drop to the reminiscing, and locals and tourists alike play a part in this story.

       

The non-linear story jumps back and forth through a group of friends journey into adolescence.  As the boredom of small town living starts to set in, the young teens turn to drink and drugs.  Looking back they say it was a war that they didn’t know they were fighting, and the onset of puberty brings a whole other set of problems.

Madd’s writing is deeply poetic, and it’s very beautiful to listen to the storytelling unfold.  Madd and Titus work well as a pair, and the lyrical acrobatics they perform accentuate the fluid timelines to keep the audience gripped.  A haunting soundscape accompanies the entire production and helps us to imagine we’re dipping in and out of Henry’s memories.

You mightalso like

Shellshocked credit Craig Lomas

Edinburgh Review: Shellshocked at Pleasance Courtyard

Rita Lynn Life Coach Credit Damian Robertson.jpg

Edinburgh Review: Rita Lynn: Life Coach at Pleasance Dome

Director, Nic Connaughton, expertly navigates the pair through this exploration of adolescence, that picks up on themes of mental health, domestic and sexual assault.

Madd’s tremendous storytelling ability captures the impetuousness of youth, and while the chapters of this tale come at us like fragmented memories, we’re never left in any doubt what the story is trying to say.

The Land of Lost Content is a poignant story of a childhood that has been heavily influenced by what is often perceived as the perfect idyll of home.  Lyrical and captivating storytelling combined with passionate performances from Madd and Titus make this an exhilarating watch.

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

Shellshocked credit Craig Lomas
Edinburgh Fringe 2024

Edinburgh Review: Shellshocked at Pleasance Courtyard

Rita Lynn Life Coach Credit Damian Robertson.jpg
Edinburgh Fringe 2024

Edinburgh Review: Rita Lynn: Life Coach at Pleasance Dome

Kafka's Metamorphosis The Musical! With Puppets! Morgan Smith, Blake Du Bois, Kaia Fitzgerald, Luis Rivera, credit to Matthew Turner
Edinburgh Fringe 2024

Edinburgh Review: Kafka’s Metamorphosis: The Musical! With Puppets! at Pleasance Dome

A Jaffa Cake Musical credit Ben Wilkin Photography
Edinburgh Fringe 2024

Edinburgh Review: A Jaffa Cake Musical at Pleasance Courtyard

Comments 1

  1. Pingback: Theatre Weekly’s Best of the Fest 2022 - Theatre Weekly
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Jade Lewis CREDIT Sandra Mickiewicz

Jade Lewis Appointed Associate Artistic Director of Stratford East

Last Rites Artwork by Martha Hegarty with photos by Mihaela Bodlovic and Camilla Greenwell

Last Rites Brings Visually Mesmerising Storytelling to Bristol Old Vic This July

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly