Unforgettable Girl is a compelling concoction of humour, surrealism, and whiplash-inducing changes of pace. Writer and lead performer Elisabeth Gunawan dazzles, supported by the purposefully-subtle Kyll Anthony Thomas Cole. Together, they craft an experience that’s as entertaining as it is memorable.
Gunawan’s gift for witty humour is evident from the very beginning, inviting the audience in with observational comedy before delving into the murkier world of theatre. Each line is delivered with a flair that keeps the audience in stitches.
While Unforgettable Girl tells the story of a mail-order bride, delving into the violence (both physical and metaphorical) that’s inflicted on women of colour, it’s not just a one-woman show. Kyll Anthony Thomas Cole stands strong beside Gunawan, remaining on the sidelines in a self-described ‘invisible’ role that still goes a long way to enhancing the narrative with his own brand of charisma and presence. Together, they form a dynamic duo, elevating each other’s performances and ensuring the story never misses a beat.
Her performance transitions smoothly from grounded comedy into surreal territory, turning the stage into a dreamscape of bizarre and delightful situations. Gunawan’s physicality is eerie, losing herself in her characters to great effect.
Now, when it comes to audience participation, many Fringe-goers might be apprehensive. However, Gunawan’s approach is refreshingly different. Participants are incorporated into the act in ways that feel organic and unobtrusive. Instead of the usual anxiety associated with being singled out, there’s a communal spirit, a shared joke, and you might even find yourself secretly hoping for a moment under the spotlight.
Unforgettable Girl is aptly named, for it leaves an indelible mark on its audience. With its unique blend of humour and breathtaking physicality, Gunawan and Cole offer a theatrical experience that will be talked about long after the curtains close. A must-watch for those seeking a show that’s as engaging as it is innovative.
