[fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ layout=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none” last=”no” hover_type=”none” link=”” border_position=”all”][fusion_code]PHNjcmlwdCBhc3luYyBzcmM9Ii8vcGFnZWFkMi5nb29nbGVzeW5kaWNhdGlvbi5jb20vcGFnZWFkL2pzL2Fkc2J5Z29vZ2xlLmpzIj48L3NjcmlwdD4NCjwhLS0gR2VuZXJpYyBBZCAtLT4NCjxpbnMgY2xhc3M9ImFkc2J5Z29vZ2xlIg0KICAgICBzdHlsZT0iZGlzcGxheTpibG9jayINCiAgICAgZGF0YS1hZC1jbGllbnQ9ImNhLXB1Yi04MjAyODQxMTcyMzE2MTQ4Ig0KICAgICBkYXRhLWFkLXNsb3Q9IjM2MDQxODY5MTEiDQogICAgIGRhdGEtYWQtZm9ybWF0PSJhdXRvIj48L2lucz4NCjxzY3JpcHQ+DQooYWRzYnlnb29nbGUgPSB3aW5kb3cuYWRzYnlnb29nbGUgfHwgW10pLnB1c2goe30pOw0KPC9zY3JpcHQ+[/fusion_code][fusion_separator style_type=”none” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” sep_color=”” top_margin=”5px” bottom_margin=”5px” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”center” /][/fusion_builder_column][fusion_builder_column type=”1_1″ layout=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none” last=”no” hover_type=”none” link=”” border_position=”all”][fusion_title margin_top=”” margin_bottom=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” size=”1″ content_align=”left” style_type=”none” sep_color=””]
First Look: Angels in America at The National Theatre in Rehearsal (and how to get tickets)
[/fusion_title][fusion_content_boxes layout=”icon-on-side” columns=”3″ title_size=”14px” title_color=”” body_color=”#000000″ backgroundcolor=”” iconcolor=”” icon_circle=”” icon_circle_radius=”” circlecolor=”” circlebordersize=”” circlebordercolor=”” outercirclebordersize=”” outercirclebordercolor=”” icon_size=”” icon_hover_type=”” hover_accent_color=”” link_type=”” link_area=”” link_target=”” icon_align=”left” animation_type=”” animation_delay=”” animation_offset=”” animation_direction=”left” animation_speed=”0.3″ margin_top=”” margin_bottom=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=””][fusion_content_box title=”” backgroundcolor=”” icon=”fa-calendar” iconflip=”” iconrotate=”” iconspin=”no” iconcolor=”#ff9800″ circlecolor=”#ffffff” circlebordersize=”” circlebordercolor=”” outercirclebordersize=”” outercirclebordercolor=”” image=”” image_width=”35″ image_height=”35″ link=”” linktext=”Read More” link_target=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=””]
27th March 2017
[/fusion_content_box][fusion_content_box title=”” backgroundcolor=”” icon=”fa-user” iconflip=”” iconrotate=”” iconspin=”no” iconcolor=”#ff9800″ circlecolor=”#ffffff” circlebordersize=”” circlebordercolor=”” outercirclebordersize=”” outercirclebordercolor=”” image=”” image_width=”35″ image_height=”35″ link=”” linktext=”Read More” link_target=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=””]Theatre Weekly Press[/fusion_content_box][/fusion_content_boxes][fusion_separator style_type=”none” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” sep_color=”” top_margin=”2px” bottom_margin=”2px” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”center” /][fusion_text]
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
[/fusion_text][fusion_separator style_type=”none” top_margin=”20″ bottom_margin=”” sep_color=”” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”center” class=”” id=”” /][fusion_images picture_size=”fixed” hover_type=”none” autoplay=”no” columns=”5″ column_spacing=”13″ scroll_items=”” show_nav=”yes” mouse_scroll=”no” border=”yes” lightbox=”yes” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=””][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/03/Russell-Tovey-rehearses-AngelsinAmerica231-c-Helen-Maybanks.jpg” image_id=”5322″ link=”” linktarget=”_self” alt=”Angels in America rehearsals” /][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/03/Nathan-Stewart-Jarrett-and-Andrew-Garfield-rehearse-AngelsinAmerica-with-director-Marianne-Eliott-009.jpg” image_id=”5321″ link=”” linktarget=”_self” alt=”Angels in America rehearsals” /][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/03/Marianne-Elliott-director-of-AngelsinAmerica050-c-Helen-Maybanks.jpg” image_id=”5320″ link=”” linktarget=”_self” alt=”Angels in America rehearsals” /][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/03/Amanda-Lawrence-and-Andrew-Garfield-rehearse-Angels-in-America-at-the-National-Theatre-152-c-Helen-Maybanks.jpg” image_id=”5317″ link=”” linktarget=”_self” alt=”Angels in America rehearsals” /][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/03/Denise-Gough-Nathan-Lane-and-Russell-Tovey-rehearse-AngelsinAmerica078-c-Helen-Maybanks.jpg” image_id=”5319″ link=”” linktarget=”_self” alt=”Angels in America rehearsals” /][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/03/Susan-Brown-and-Nathan-Lane-rehearse-AngelsinAmerica192-c-Helen-Maybanks.jpg” image_id=”5316″ link=”” linktarget=”_self” alt=”Angels in America rehearsals” /][/fusion_images][fusion_separator style_type=”none” top_margin=”20″ bottom_margin=”” sep_color=”” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”center” class=”” id=”” /][fusion_text]
Although sold out, there are still three ways to see Angels in America:
The Angels Ballot presented by Delta
Ballot One is now open. Enter for the chance to buy from hundreds of £20 tickets across the run.
Day Seats
On the day of performance, a number of £15/£18 seats will be available to purchase in person at the ground floor box office from 9.30am, limited to two tickets per customer. Day Seats for two-show days are £30/£33 and are available as a combined ticket to attend both Part One and Part Two that day.
NT Live
Angels in America will be broadcast by NT Live from the Lyttelton Theatre to cinemas around the UK and internationally. Part One: Millennium Approaches will be broadcast live to cinemas on 20 July. Part Two: Perestroikawill be broadcast live to cinemas on 27 July.
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