• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News

First Look: The Treatment at The Almeida in Rehearsal

by Staff Writer
April 11, 2017
Reading Time: 5 mins read
Indira Varma, Julian Ovenden, Matthew Needham and Aisling Loftus_credit Johan Persson

THE TREATMENT by Crimp ; Directed by Lyndsey Turner ; Designed by Giles Cadle ; at The Almeida Theatre, London, UK ; 5 April 2017 ; Credit : Johan Persson / ArenaPAL ; www.arenapal.com

[fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ layout=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none” last=”no” hover_type=”none” link=”” border_position=”all”][fusion_code]PHNjcmlwdCBhc3luYyBzcmM9Ii8vcGFnZWFkMi5nb29nbGVzeW5kaWNhdGlvbi5jb20vcGFnZWFkL2pzL2Fkc2J5Z29vZ2xlLmpzIj48L3NjcmlwdD4NCjwhLS0gR2VuZXJpYyBBZCAtLT4NCjxpbnMgY2xhc3M9ImFkc2J5Z29vZ2xlIg0KICAgICBzdHlsZT0iZGlzcGxheTpibG9jayINCiAgICAgZGF0YS1hZC1jbGllbnQ9ImNhLXB1Yi04MjAyODQxMTcyMzE2MTQ4Ig0KICAgICBkYXRhLWFkLXNsb3Q9IjM2MDQxODY5MTEiDQogICAgIGRhdGEtYWQtZm9ybWF0PSJhdXRvIj48L2lucz4NCjxzY3JpcHQ+DQooYWRzYnlnb29nbGUgPSB3aW5kb3cuYWRzYnlnb29nbGUgfHwgW10pLnB1c2goe30pOw0KPC9zY3JpcHQ+[/fusion_code][fusion_separator style_type=”none” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” sep_color=”” top_margin=”5px” bottom_margin=”5px” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”center” /][/fusion_builder_column][fusion_builder_column type=”1_1″ layout=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none” last=”no” hover_type=”none” link=”” border_position=”all”][fusion_title margin_top=”” margin_bottom=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” size=”1″ content_align=”left” style_type=”none” sep_color=””]

First Look: The Treatment at The Almeida in Rehearsal

[/fusion_title][fusion_content_boxes layout=”icon-on-side” columns=”3″ title_size=”14px” title_color=”” body_color=”#000000″ backgroundcolor=”” iconcolor=”” icon_circle=”” icon_circle_radius=”” circlecolor=”” circlebordersize=”” circlebordercolor=”” outercirclebordersize=”” outercirclebordercolor=”” icon_size=”” icon_hover_type=”” hover_accent_color=”” link_type=”” link_area=”” link_target=”” icon_align=”left” animation_type=”” animation_delay=”” animation_offset=”” animation_direction=”left” animation_speed=”0.3″ margin_top=”” margin_bottom=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=””][fusion_content_box title=”” backgroundcolor=”” icon=”fa-calendar” iconflip=”” iconrotate=”” iconspin=”no” iconcolor=”#ff9800″ circlecolor=”#ffffff” circlebordersize=”” circlebordercolor=”” outercirclebordersize=”” outercirclebordercolor=”” image=”” image_width=”35″ image_height=”35″ link=”” linktext=”Read More” link_target=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=””]

11th April 2017

[/fusion_content_box][fusion_content_box title=”” backgroundcolor=”” icon=”fa-user” iconflip=”” iconrotate=”” iconspin=”no” iconcolor=”#ff9800″ circlecolor=”#ffffff” circlebordersize=”” circlebordercolor=”” outercirclebordersize=”” outercirclebordercolor=”” image=”” image_width=”35″ image_height=”35″ link=”” linktext=”Read More” link_target=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=””]Theatre Weekly Press[/fusion_content_box][/fusion_content_boxes][fusion_separator style_type=”none” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” sep_color=”” top_margin=”2px” bottom_margin=”2px” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”center” /][fusion_text]

The Treatment, Martin Crimp’s contemporary satire, directed by Lyndsey Turner, begins previews at the Almeida Theatre on Monday 24 April and runs until Saturday 10 June. The Cast includes Gary Beadle, Ian Gelder, Ben Onwukwe, Julian Ovenden, Ellora Torchia, Indira Varma, and Hara Yannas.

You mightalso like

A Month in the Country credit Helen Murray

Review: A Month in the Country at Donmar Warehouse

Barbican Cast of High Society (Credit Pamela Raith)

Full Cast Announced for UK and Ireland Tour of High Society

New York. A film studio. A young woman has an urgent story to tell. But here, people are products, movies are money and sex sells. And the rights to your life can be a dangerous commodity to exploit.

 

[/fusion_text][fusion_separator style_type=”none” top_margin=”20″ bottom_margin=”” sep_color=”” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”center” class=”” id=”” /][fusion_images picture_size=”fixed” hover_type=”none” autoplay=”no” columns=”5″ column_spacing=”13″ scroll_items=”” show_nav=”yes” mouse_scroll=”no” border=”yes” lightbox=”yes” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=””][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/04/Matthew-Needham-Bret-Yount-Fight-Director-and-Ian-Gelder_Ben-Onwukwe_credit-Johan-Persson.jpg” image_id=”5663″ link=”” linktarget=”_self” alt=”” /][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/04/Julian-Ovenden-and-Indira-Varma_credit-Johan-Persson.jpg” image_id=”5662″ link=”” linktarget=”_self” alt=”” /][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/04/Hara-Yanna_credit-Johan-Persson.jpg” image_id=”5660″ link=”” linktarget=”_self” alt=”” /][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/04/Aisling-Loftus_credit-Johan-Persson-2.jpg” image_id=”5659″ link=”” linktarget=”_self” alt=”” /][fusion_image image=”http://theatreweekly.com//wp-content/uploads/2017/04/Aisling-Loftus-and-Ben-Onwukwe_credit-Johan-Persson.jpg” image_id=”5658″ link=”” linktarget=”_self” alt=”” /][/fusion_images][fusion_separator style_type=”none” top_margin=”20″ bottom_margin=”” sep_color=”” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”center” class=”” id=”” /][/fusion_builder_column][fusion_builder_column type=”1_1″ layout=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none” last=”no” hover_type=”none” link=”” border_position=”all”][fusion_code]PHNjcmlwdCBhc3luYyBzcmM9Ii8vcGFnZWFkMi5nb29nbGVzeW5kaWNhdGlvbi5jb20vcGFnZWFkL2pzL2Fkc2J5Z29vZ2xlLmpzIj48L3NjcmlwdD4NCjwhLS0gR2VuZXJpYyBBZCAtLT4NCjxpbnMgY2xhc3M9ImFkc2J5Z29vZ2xlIg0KICAgICBzdHlsZT0iZGlzcGxheTpibG9jayINCiAgICAgZGF0YS1hZC1jbGllbnQ9ImNhLXB1Yi04MjAyODQxMTcyMzE2MTQ4Ig0KICAgICBkYXRhLWFkLXNsb3Q9IjM2MDQxODY5MTEiDQogICAgIGRhdGEtYWQtZm9ybWF0PSJhdXRvIj48L2lucz4NCjxzY3JpcHQ+DQooYWRzYnlnb29nbGUgPSB3aW5kb3cuYWRzYnlnb29nbGUgfHwgW10pLnB1c2goe30pOw0KPC9zY3JpcHQ+[/fusion_code][fusion_separator style_type=”none” top_margin=”20″ bottom_margin=”” sep_color=”” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”center” class=”” id=”” /][/fusion_builder_column][fusion_builder_column type=”1_1″ layout=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none” last=”no” hover_type=”none” link=”” border_position=”all”][fusion_widget_area name=”avada-custom-sidebar-androidsidebar” background_color=”” padding=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” /][/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

A Month in the Country credit Helen Murray
Reviews

Review: A Month in the Country at Donmar Warehouse

Barbican Cast of High Society (Credit Pamela Raith)
News

Full Cast Announced for UK and Ireland Tour of High Society

Sophie Okonedo A Month in the County. photo by Felicity McCabe (1)
News

Sophie Okonedo to lead cast of A Month in the Country at Donmar Warehouse

Archduke at the Royal Court Credit Helen Murray
Reviews

Review: Archduke at The Royal Court

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Macbeth Cast Image supplied by the venue without credit

Oldham Coliseum Theatre announces full cast for immersive nightclub production of Macbeth

Guildford Shakespeare Company Image supplied without credit by publicist

Guildford Shakespeare Company expands knife crime awareness programme as part of 20th anniversary season

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly