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Interview: Reuben Joseph on Mrs. Warren’s Profession at Garrick Theatre

“It asks bold questions about societal expectations versus private realities — and how we define goodness in a flawed system. It’s unbelievably sharp and exciting”

by Greg Stewart
May 6, 2025
Reading Time: 3 mins read
Reuben Joseph image supplied by publicist

Reuben Joseph image supplied by publicist

Reuben Joseph is set to star as Frank Gardner in the highly anticipated revival of George Bernard Shaw’s Mrs. Warren’s Profession. Directed by Dominic Cooke, this production brings Shaw’s provocative exploration of gender, power, and societal norms into the 21st century.

Joseph joins an incredible cast, including Imelda Staunton and Bessie Carter, promising a fresh perspective on this timeless classic that was once banned for its daring themes.

Performances run from May 10 to August 16, 2025, at the Garrick Theatre. Tickets are available now here.

You’re appearing in Mrs. Warren’s Profession at the Garrick Theatre—what can you tell us about the show?

At its heart, it’s a story about a mother and daughter whose values clash in a world of moral grey. It asks bold questions about societal expectations versus private realities — and how we define goodness in a flawed system. It’s unbelievably sharp and exciting.

George Bernard Shaw’s play tackles bold themes like gender roles and societal hypocrisy. How do these resonate with modern audiences in this production?

Obviously, the grapple with power structures and how gender and class inform them will be all too familiar for audiences. What sets the play apart is that it doesn’t just comment on these systems — we meet characters who are actively fighting to break out of them. Seeing them present in that struggle makes the stakes feel urgent and real.

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You’ve performed in diverse roles, from Hamilton to Macbeth. How does playing Frank Gardner in Mrs. Warren’s Profession challenge or inspire you as an actor?

Between all three of those characters, there’s certainly common ground in their tenacity and drive. The challenge of Frank has been squaring his almost short-sighted, decadent pursuits with the self-awareness and emotional intelligence he possesses. Playing characters like that is an invitation to step into their headspace, so it’s been a delight — and a challenge — to keep up with him.

What has it been like working alongside such a talented cast, including Imelda Staunton and Bessie Carter?

It’s been a real masterclass, honestly. Our whole company is filled with actors whose work brings the best out of you. And it stems from the top down with Imelda and Bessie. They’re just brilliant.

Dominic Cooke has reimagined this classic for a contemporary audience. What has been your experience with his direction?

Dominic has such a clear and precise way of working. He draws out so much nuance and detail in the characters and, in turn, the play itself. He’s created a rich world that’s truthful and so much fun to play in.

What would you say to anyone thinking of booking to see Mrs. Warren’s Profession?

Be prepared for the unexpected. It’s witty, provocative and refuses to give you the easy answers. I may be slightly biased, but I know it’s the kind of theatre that I’d love to see.

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

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