• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Interviews

Interview: Rick Romero on Reading Rep’s A Christmas Carol

“Beth has introduced a new slant on some of the familiar characters which allows us to see them in a different light, helping to amplify the themes that are universal, and the injustices which we sadly continue to see in the modern era”

by Greg Stewart
November 25, 2021
Reading Time: 5 mins read
Rick Romero. Photo Credit Harry Elletson

Rick Romero. Photo Credit Harry Elletson

Rick Romero appears in A Christmas Carol – a world première adaptation of Charles Dickens’ novella, written by local born playwright Beth Flintoff – the first Christmas production in the new theatre that runs as part of the Reading Rep: Reborn season.

Artistic Director of Reading Rep Paul Stacey directs Beth Eyre, Dave Fishley, Samuel Kyi, Rose McPhilemy and Rick Romero in this family friendly production set on the cobbled streets of Reading.

The production opens at Reading Rep on 8 December, with previews from 3 December, and runs until 31 December. A 15ft tall Christmas tree is set to be erected outside the theatre to honour the festive season and the first Christmas production at Reading Rep’s new state-of-the-art theatre.

       

You’re appearing in Reading Rep’s A Christmas Carol, what can you tell us about the show?

It’s a brand new adaptation by Beth Flintoff which has been set in the Huntley and Palmers biscuit factory in Reading, where we find the cruel, miserly Scrooge running the place following the death of founder George Palmer.

During yet another Christmas Eve of mistreatment of his biscuit factory workers, he is visited by the spirit of George Palmer and the ghosts of Christmas present, past and future, who together attempt to show him the error of his ways and set him on a new course of goodwill to his fellow humans.

You mightalso like

Paul Hilton (Ebenezer Scrooge) in A Christmas Carol at The Old Vic (2025). Photo by Manuel Harlan (1)

Review: A Christmas Carol at The Old Vic

A Christmas Carol Sheffield Theatres Image supplied by publicist

First Look Image Released for A Christmas Carol at Sheffield Theatres

What makes this production different to other productions of A Christmas Carol?

It straddles reality and fantasy as it incorporates a real setting and includes a character who was a real person. It references several other Reading landmarks and transports the characters we already know and love to places that the Reading audience will be more than familiar with.

What impressed you the most about the way Beth Flintoff has adapted the classic story?

Without giving too much away, Beth has introduced a new slant on some of the familiar characters which allows us to see them in a different light, helping to amplify the themes that are universal, and the injustices which we sadly continue to see in the modern era.

On the more cheerful side of things, the biscuit factory setting introduces an element of fun that is irresistible, and can allow the younger members of the audience to immediately relate to the inner workings of Scrooge’s business and the plight of his downtrodden workers. And everyone loves a biscuit!

How does it feel to be part of Reading Rep’s first Christmas production in the Reborn Season?

Tremendous! I have a long-standing relationship with Reading Rep, performing in five shows previously with them including their very first, The Dumb Waiter, in 2012. Back then we would have to push the dining table at Paul Stacey’s (Artistic Director and founder of Reading Rep) Mum’s house to the side of the room to rehearse, and we were paid mostly with (very tasty) bread and cheese.

       

A swift eleven years later and now Reading Rep have their own theatre! It’s a privilege to be back working with them again in the exquisite new space, and to be a part of this great cultural event in Reading as we continue to welcome the public to this fine season of shows.

Tell us about some of the characters you play?

I’m playing six characters in total, including the ghost of George Palmer, the industrialist and founder of Huntley and Palmers, whose spirit is roaming tortured through the world because he (in our play at least) squandered his life chasing riches instead of forging fulfilling human relationships and using his money to do good in the community. He is, in effect, the Jacob Marley character from the original story.

I also play The Ghost of Christmas Present, who is the living embodiment of everything Scrooge hates about Christmas, and Fezziwig, the incorrigibly cheerful factory foreman who apprentices Scrooge in his younger days. These are all larger than life characters that are a joy for an actor to muck about with, so I must confess I’m having rather a lot of fun in the process.

What would you say to anyone thinking of coming to A Christmas Carol?

Press the button, book the ticket, and come to see the beautiful new theatre in Reading. You’ll have a refreshing drink in the bar, and get whisked into your seat from where you’ll be transported to a world of Christmas whimsy as we fling your favourite characters from this Dickens classic at you with everything we’ve got.

Then you can saunter home after the show like the reformed Scrooge, with a spring in your step and warmth in your heart. (And a note in your diary to come to see all the rest of the shows in the Reborn season).

A Christmas Carol starring Rick Romero is at Reading Rep from 3rd December. Tickets are on sale here.

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

Paul Hilton (Ebenezer Scrooge) in A Christmas Carol at The Old Vic (2025). Photo by Manuel Harlan (1)
Reviews

Review: A Christmas Carol at The Old Vic

A Christmas Carol Sheffield Theatres Image supplied by publicist
First Look

First Look Image Released for A Christmas Carol at Sheffield Theatres

Lauren Jones Image Supplied by Publicist
Interviews

Interview: Lauren Jones on A Christmas Carol at The Old Vic

A Christmas Carol reading rep Theatre Image supplied by publicist
News

Cast announced as A Christmas Carol Returns to Reading Rep Theatre with a Bold Local Twist

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Full casting announced for Teresa Deevy’s Wife to James Whelan at Jermyn Street Theatre

Foal credit Steve Gregson

First look images released as Amar Chadha-Patel makes stage debut in Foal

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly