• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News

Latitude 2019 Theatre and Dance Line-Up Revealed

by Staff Writer
April 9, 2019
Reading Time: 3 mins read
Latitude Theatre and Performance

Latitude Theatre and Performance

With the involvement of the country’s theatre and dance companies, Latitude has established itself as one of the leading and most innovative performing arts festivals. This year’s exciting programme profiles the complexity of modern society, from gender identity to mental health, environmental activism to reclaiming history; on offer is a diverse range of programming to evoke surprise, joy and debate. Expect the unexpected!

Celebrating their 25th Birthday, Frantic Assembly kick off festivities by headlining the Theatre Arena with new show Sometimes Thinking – a celebration of the hours invested in daydreaming – written by Phil Porter especially for Latitude. The show that rocked Edinburgh and started a thousand conversations also comes to Latitude; Daughter presented by Quiptake, The Theatre Centre, and Pandemic Theatre, faces toxic masculinity head on, distilling it into the figure of one very funny, very engaging, very troubled man.

Another theatre highlight is Historic Royal Palace’s riotous Long Live Queen James – a show which explores the extraordinary life of King James I: this historical tale of gender, identity, and sexuality is brought to life with a mix of storytelling, audience interaction and contemporary queer performances. Continuing the theme of reframing old narratives, Figs in Wigs present a work-in-progress performance of their apocalyptic feminist adaptation of Louisa May Alcott’s classic, in Little Wimmin. Theatre Re return to the festival with Birth, a poignant and uplifting visual theatre piece exploring the bond between three generations of women and their shared loss.

       

Latitude’s stunning Waterfront Stage is globally renowned for showcasing the best talent in dance productions and companies. This year the stage plays host to some stunning productions. Northern Ballet present celebrated choreographer Morgann Runacre-Temple’s first work for the company, an intimate and moving portrait of Nannerl Mozart, the talented yet overshadowed sister of Wolfgang Mozart, in The Kingdom of Back. Sadler’s Wells return to the Waterfront Stage for a twelfth year to present Jesús Carmona, a pioneer in flamenco’s evolution, Rambert, one of the world’s leading contemporary dance companies that’ll return to Latitude with a brand-new work by French choreographer Marion Motin, and BBC Young Dancer finalists.

Dance Umbrella present contemporary trailblazer Oona Doherty who performs Hope Hunt; an explosive and viscerally intense piece which dramatically unpicks male identity.  Another highlight is Boy Blue who return with REBEL, an exhilarating new dance and film production that captures the voices of young people with challenging questions around cultural identity.

You mightalso like

Lost Atoms Joe Layton (Robbie) & Hannah Sinclair Robinson (Jess) Photo Credit Tristram Kenton

Review: Lost Atoms at Lyric Hammersmith Theatre

Things I Know To Be True Image supplied by publicist

Things I Know to be True Opens at Tower Theatre This January

More information about Latitude Festival can be found here.

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

Lost Atoms Joe Layton (Robbie) & Hannah Sinclair Robinson (Jess) Photo Credit Tristram Kenton
Reviews

Review: Lost Atoms at Lyric Hammersmith Theatre

Things I Know To Be True Image supplied by publicist
News

Things I Know to be True Opens at Tower Theatre This January

The Manningtree Witches image supplied by publicist
News

Initial Casting Announced for World Premiere of The Manningtree Witches at Mercury Theatre Colchester

Mercury Theatre Colchester New Season Image supplied by publicist
News

Mercury Theatre Colchester Announces Natasha Rickman’s First Full Season for 2026

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Tom Forster, Lucy Osborne, James Grieve & Sam Gough Credit Ian Georgeson (1)

Summerhall Arts unveils final 2026 Fringe programme with UK’s first purpose-built theatre sauna

Wicked Schools Visit Image supplied by publicist

Producers of Wicked extend ticket donation partnership with theatre works! into third year

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly