• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News

Lydia West to star in the UK premiere of A Play for the Living in a Time of Extinction

by Staff Writer
November 30, 2022
Reading Time: 4 mins read
Lydia West

Lydia West

Headlong and the Barbican, have announced that Lydia West (It’s a Sin, Inside Man) will make her stage debut in the UK premiere of A Play for the Living in a Time of Extinction by award-winning playwright Miranda Rose Hall.

Directed by Katie Mitchell, West will perform the role of Naomi at the Barbican from 26 – 29 April, ahead of a national tour across the UK, which will see a different local actor and director take on the production at each venue. Each performance will be powered by bicycles peddled in real time throughout the duration of the show.

“The difference between death and extinction is this: death is to cease to exist. Extinction is to extinguish. I think of death as individual. Extinction is collective.”

       

Naomi is part of a touring theatre company and they have made a play especially for you – those who are living through extinction – except the actors haven’t shown up yet. We don’t know why, and maybe they will, but in the meantime, Naomi has a plan. Miranda Hall’s darkly funny and uplifting play explores what it means to be human in an era of man-made extinction.

A Play for the Living in a Time of Extinction and the subsequent tour, will see Mitchell draw on and further her work on the Sustainable Theatre? project, which she originally conceived with the support of the French choreographer Jérôme Bel and Théâtre Vidy-Lausanne.

You mightalso like

RSC Barbican Season images supplied by The RSC

Royal Shakespeare Company Returns to the Barbican with Wendy & Peter Pan and Twelfth Night

Sean Hayes (Oscar Levant) Photo credit Joan Marcus

Good Night, Oscar Announces Steinway & Sons UK as Official Piano Partner for Barbican Run

Opening at the Barbican the UK premiere will be designed by Moi Tran. Mitchell and the creative team will produce blueprints containing sustainability guides which will be given to each subsequent venue in the first off-grid tour of its kind in the UK. Local teams will stage and perform the play, within the parameters of the blueprints and using the same renewable bike technology, therefore eliminating the need for physical travel. Headlong will present A Play for the Living in a Time of Extinction at Barbican London, Belgrade Theatre Coventry, Theatre Royal Plymouth, Live Theatre Newcastle, New Vic Newcastle-under-Lyme, and  York Theatre Royal with further venues along with casting and directors to be announced shortly.

A Play for the Living in a Time of Extinction is Headlong’s second major touring experiment, part of the company’s ongoing commitment to rethink theatre-making in a climate emergency. In 2020 Headlong produced Signal Fires, a national festival that saw over forty companies come together for the first time to tour a single idea, at a time when traditional touring was not possible. Headlong have committed to staging one major touring experiment and one piece that explores a different facet of climate change, as part of our commitment to rethinking what it means to be a touring theatre company during the climate emergency.

Lydia West says: “I am thrilled to be collaborating with Katie Mitchell, Headlong and the Barbican on this very relevant piece. I think Barbican is the perfect venue for such an impactful show and I have been a huge admirer of Katie’s work for some time. I’m excited for everyone to see this and to bring this eco-feminist text to life in my professional stage debut.”

A Play for the Living in a Time of Extinction is Co-produced by Headlong and the Barbican. More information can be found here.

       

Presented by Headlong, Barbican, Belgrade Theatre, Theatre Royal Plymouth, Live Theatre Newcastle, New Vic, York Theatre Royal.

The original production of “A Play for the Living in a Time of Extinction” directed by Katie Mitchell was created at the Theatre Vidy-Lausanne as part of the project  “Sustainable Theatre?”, conceived by Katie Mitchell, Jérôme Bel and Théâtre Vidy-Lausanne, with the collaboration of the Competence Centre in Sustainability of the University of Lausanne, co-produced by STAGES – Sustainable Theatre Alliance for a Green Environmental Shift (NTGent – Théâtre de Liège – National Theatre of Croatia in Zagreb – MC93, Maison de la culture de Seine-Saint-Denis – Trafo House of Contemporary Arts – Piccolo Teatro di Milano, Teatro d’Europa – Lithuanian National Drama Theatre – Teatro Nacional D. Maria II – Maribor Slovene National Theatre – The Royal Dramatic Theatre, Dramaten, Stockholm – National Theater & Concert Hall, Taipei) and co-funded by the European Union. “Sustainable Theatre ?” includes two shows and a workshop touring in the form of scripts recreated locally.

Miranda Rose Hall’s A Play for the Living in a Time of Extinction was first commissioned by LubDub Theatre Company.

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

RSC Barbican Season images supplied by The RSC
News

Royal Shakespeare Company Returns to the Barbican with Wendy & Peter Pan and Twelfth Night

Sean Hayes (Oscar Levant) Photo credit Joan Marcus
News

Good Night, Oscar Announces Steinway & Sons UK as Official Piano Partner for Barbican Run

DU25 La Chachi, Random Taranto, credit Eneko
News

Change Tempo Brings UK Premieres to Barbican for Dance Umbrella 2025

Royal Court Season images by Guy J Sanders
News

Royal Court Theatre Announces May – December 2025 Programme

Comments 1

  1. Pingback: Thinking about environmental sustainability #4 – The CSPA
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Corinna Brown (Sephy) and cast in Noughts & Crosses (c) Manuel Harlan

Review: Noughts & Crosses at Regent’s Park Open Air Theatre

Burlesque in Rehearsal credit Maja Smiejkowska

Rehearsal Photos Released for Burlesque the Musical Ahead of West End Debut at the Savoy Theatre

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly