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Marc Antolin and Audrey Brisson Reprise Their Roles for Digital Tour of The Flying Lovers of Vitebsk

Theatre Weekly Press by Theatre Weekly Press
November 9, 2020
Reading Time: 2min read
Kneehigh The Flying Lovers of Vitebsk c Steve Tanner Marc Antolin as Marc Chagall Audrey Brisson as Bella Chagall

Kneehigh The Flying Lovers of Vitebsk c Steve Tanner Marc Antolin as Marc Chagall Audrey Brisson as Bella Chagall

Wise Children, Kneehigh and Bristol Old Vic, announce dates for the digital tour of Daniel Jamieson’s The Flying Lovers of Vitebsk directed by Emma Rice. The production will feature Marc Antolin (Marc Chagall) and Audrey Brisson (Bella Chagall), reprising their roles from the original production.

The production will be performed at Bristol Old Vic, and broadcast live to audience’s homes nationally and globally, 3 – 5 December 2020 with tickets available at www.wisechildrendigital.com / bristololdvic.org.uk

Theatres across the UK and abroad will sell tickets to their audiences, with partners including Liverpool Everyman and Playhouse, York Theatre Royal and Oxford Playhouse, The Lowry, Spoleto Festival USA and Wallis Annenberg Centre for the Performing Arts with more to be announced.

Perhaps you’ve seen them floating over a Russian village? Or perhaps you’ve seen her toppling forward, arms full of wild flowers, as he arches above her head and steals a kiss.

Meet Marc and Bella Chagall—the flying lovers of Vitebsk! Partners in life and on canvas, Marc and Bella are immortalised as the picture of romance. But whilst on canvas they flew, in life they walked through some of the most devastating times in history.

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Implementing a COVID-secure procedure, the company will each have a Coronavirus test before forming a bubble in Bristol. These rigorous measures mean that they will be able to perform the show without social distancing.

Tom Morris, Artistic Director of Bristol Old Vic, also commented, “The Flying Lovers of Vitebsk is one of those very rare and very special shows that people just fall in love with. You go weak at the knees. You giggle. You weep. And very often people tell us they have never forgotten it. The show is shaded with the dark brutality of the mid 20th century, but the love at its heart feels so strong, courageous and joyful that its beat can endure any hardship. Now, in the strange dark winter of 2020, again inspired by the trademark panache of Emma’s work, we are offering the show to global audiences that will reach from China to Kentucky and back home to Minsk.”

 

 

 

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