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Home News

New Song and Updated Script for Heathers The Musical West End Transfer

by Staff Writer
August 15, 2018
Reading Time: 3 mins read
The Cast of Heathers The Musical c. Pamela Raith Photography

The Cast of Heathers The Musical c. Pamela Raith Photography

The creative team behind Heathers the Musical have announced a brand new song has been written into the show ahead of it’s West End debut at the Theatre Royal Haymarket, along with multiple re-workings to the script.

Following extensive work across the run of it’s European premiere at The Other Palace, the creators of Heathers – The Musical, Laurence O’Keefe and Kevin Murphy, alongside director Andy Fickman, have written an original new song for leading lady Carrie Hope Fletcher. The new song, ‘I Say No’ and updated script were added into the final week of performances at The Other Palace, offering audiences a sneak peek ahead of the show’s transfer to the West End in September.

Paul Taylor Mills said: “Two years ago Andrew Lloyd Webber and I set on a mission to create a space in the UK where musicals could be tried and tested with audience feedback at the heart of that development. I am so pleased to say that a year and a half later we have been able to see Heathers go from The Other Palace studio, to the main house, to the West End. This isn’t a new idea with many major American musicals affording themselves an out-of-town try out in order to refine the material before the version the team want to present is ‘cooked’!

       

Over the last few weeks the creative team and I have been working hard to make changes to the production, including a new number for Veronica at the end of the show, and some script changes to Act II. We’re delighted with the work that has been done and that the show was able to finish its the run at The Other Palace as the definitive version of Heathers. 

We feel fortunate to have had this incredibly useful space to develop the show and would like to thank our audiences for affording us this opportunity. It’s crucial that we develop a practice in the UK for this to happen in order to ensure the genre of musicals in this country continues to prosper.”

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Staff Writer

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