• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Reviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Reviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News

New Vic Theatre Celebrates 40th Anniversary With Revival of Good Golly Miss Molly and Broadway Hit Around The World In 80 Days

by Staff Writer
September 15, 2025
Reading Time: 3 mins read
New Vic Season images supplied by publicist

New Vic Season images supplied by publicist

In spring 2026, the New Vic Theatre will mark the first part of its 40th anniversary year with a season of bold storytelling and iconic productions.

The season opens with The Hound of The Baskervilles, a witty reimagining of Sir Arthur Conan Doyle’s classic mystery. Adapted by Steven Canny and John Nicholson, this acclaimed comedy thriller will be directed by Joyce Branagh and runs from 14 February to 14 March.

Next, Good Golly Miss Molly returns to the stage from 4 April to 2 May. Originally produced by the New Vic in 1989, this powerful, music-fuelled drama by Bob Eaton charts the lives of a Potteries community against a backdrop of social change. Eaton returns to direct the revival of his own work, which was last seen at the theatre in 1993.

       

From 23 May to 13 June, audiences will be treated to Around The World In 80 Days, Laura Eason’s inventive adaptation of Jules Verne’s classic adventure. Last seen on Broadway in 2019, the production reunites original cast members Andrew Pollard, Michael Hugo and Dennis Herdman with New Vic Artistic Director Theresa Heskins.

Theresa Heskins said:

You mightalso like

The Little Mermaid Cast images supplied by publicist

Full Cast Announced for New Vic Theatre’s Circus Theatre Production of The Little Mermaid

Cast of The Grand Babylon Hotel image supplied by publicist

Full Cast Announced for World Premiere of The Grand Babylon Hotel at New Vic Theatre

“2026 is going to be a special year for the New Vic as it marks the 40th anniversary of when the doors to this extraordinary theatre first opened. We were the first purpose-built theatre in-the-round in the whole of Europe and for four decades, we’ve been a hub for the community and a place of bold storytelling. In the spring, we’ll continue this proud tradition by producing a new version of a reimagined classic before celebrating some of the stories that put the New Vic on the world map – from the Potteries to the West End to Broadway.

I’m so pleased that Joyce Branagh will work with us for the first time on The Hound of The Baskervilles, and that Bob Eaton will return to the theatre to revive his iconic production, Good Golly Miss Molly – a show he wrote especially for the New Vic and a production that contributed to the theatre’s passion for combining powerful drama with live music. Then, I’m looking forward to reuniting original cast members from Around The World In 80 Days and reviving this production – it’s toured halfway across the world and for us to be able to bring it home to Newcastle-under-Lyme for our anniversary year is a real treat.”

Listings and ticket information can be found here.

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

The Little Mermaid Cast images supplied by publicist
News

Full Cast Announced for New Vic Theatre’s Circus Theatre Production of The Little Mermaid

Cast of The Grand Babylon Hotel image supplied by publicist
News

Full Cast Announced for World Premiere of The Grand Babylon Hotel at New Vic Theatre

The Grand Babylon Hotel Image supplied by publicist
News

The Grand Babylon Hotel to Receive World Premiere at New Vic Theatre

Big Big Sky image supplied by publicist
News

Rare Revival of Big Big Sky by Tom Wells Comes to New Vic Theatre This July

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Shadowlands. Hugh Bonneville as C.S. Lewis and Maggie Siff as Joy Davidman. Photo credit Jay Brooks (1)

Maggie Siff to star alongside Hugh Bonneville in Shadowlands at London’s Aldwych Theatre

In The Brain Cast Images supplied by publicist

Hofesh Shechter Company Announces In the Brain – World Premiere and UK Tour

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly