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London Theatre Company has announced the first productions at its new Bridge Theatre, which opens on 26th October on the river by Tower Bridge and City Hall.
The theatre opens with a new comedy, Young Marx by Richard Bean and Clive Coleman, directed by Nicholas Hytner with Rory Kinnear in the title role. This is followed in January by Julius Caesar, staged in promenade by Nicholas Hytner, with Ben Whishaw as Brutus. Then in April comes a new play, Nightfall, by rising playwright and novelist Barney Norris, directed by Laurie Sansom.
From summer 2018, productions will include a new play by Lucinda Coxon based on the novel Alys, Always by Harriet Lane; a new play by Nina Raine about JS Bach, played by Simon Russell Beale; flatpack, a new play by John Hodge; The Black Cloud, a new play by Sam Holcroft from the novel by Fred Hoyle; and Carmen Havana, a version of Bizet’s opera by Lucy Prebble with choreography by Miguel Altunaga and directed by Nicholas Hytner.
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London Theatre Company, which was founded by Nicholas Hytner and Nick Starr on leaving the National Theatre after twelve years, will focus on the commissioning and production of new shows, as well as staging the occasional classic. At The Bridge, it will present four or five new productions year-round, playing Tuesday to Sunday, plus a Monday night programme which will include intimate gigs, the live recording of a new podcast series and conversations on food, fashion, politics and science.
The Bridge is the first wholly new theatre of scale to be added to London’s commercial theatre sector in 80 years, and the first to be built outside the historic West End. It has a stunning riverside location at the foot of Tower Bridge next to City Hall and is 5-10 minutes’ walk from the transport hub of London Bridge, whose new concourse opens onto Tooley Street in spring next year.
Nick Starr said: “After the National Theatre, it was time for something new and scary. London is a brilliant city for making and seeing theatre, evidenced by the 25% increase in audiences over the last fifteen years. We think there’s room for a new independent on the scene, driven by both a mission and a bottom line. We hope that will resonate with artists and audiences, and are hugely looking forward to welcoming them to The Bridge.”
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