• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News

One Day – The Musical to transfer to the West End at the Garrick Theatre

Jamie Muscato and Sharon Rose reprise their roles in the acclaimed adaptation of David Nicholls’ bestselling novel

by Staff Writer
June 18, 2026
Reading Time: 2 mins read
One Day Image supplied without credit by publicist

One Day Image supplied without credit by publicist

The acclaimed new musical One Day – The Musical will transfer to the West End this autumn, following its world premiere at the Royal Lyceum Theatre, Edinburgh.

Performances begin at the Garrick Theatre on Tuesday 17 November 2026, with Jamie Muscato and Sharon Rose returning to play Dex and Em.

Based on David Nicholls’ global bestselling novel, the production follows Emma and Dexter, whose lives are forever changed after meeting on the night of their graduation.

    XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX

Across the years, their story unfolds through moments of joy, heartbreak, missed chances and second opportunities, exploring love and the unpredictability of life.

The musical features a book by David Greig, music and lyrics by Abner and Amanda Ramirez of Johnnyswim, with additional material by Jeremy Sams, and direction by Max Webster.

You mightalso like

Death of a Salesman York Theatre Royal credit FEAST

York Theatre Royal Announces New Revival of Death of a Salesman and Return of Tristan & Yseult in 2027 Season

Sparks Headshots Images supplied without credit by publicist

Stiwdio Clwyd announces inaugural artists for Sparks development programme

Originally capturing the hearts of millions around the world, One Day – The Musical brings a fresh and emotionally rich interpretation to the stage, highlighting the enduring power of connection and timing.

Producers Simon Friend and Hanna Osmolska for Melting Pot said: “From the moment we encountered One Day, we recognised its extraordinary emotional power. This is a story for anyone who has been in love, for anyone whose life hasn’t gone to plan, for anyone whose life has, for anyone who has had a parent, or a child, or a friend – so everyone really – which is why is has resonated with millions of people around the world. With a remarkable creative team, a score that takes us on the emotional rollercoaster of Emma and Dexter’s journey, and the world-class talents of Jamie Muscato and Sharon Rose originating the lead roles, One Day The Musical promises to be a very special show indeed. We cannot wait to bring this story to life on the West End stage.”

The creative team also includes Carrie-Anne Ingrouille as choreographer, Rae Smith as set and costume designer, Bruno Poet as lighting designer, and Simon Baker as sound designer.

Nigel Lilley serves as musical supervisor, musical director and co-arranger, with orchestrations by Simon Hale and casting by Stuart Burt CDG.

       

Full casting is yet to be announced.

Tickets go on general sale at 10am on Thursday 18 June.

Listings and ticket information can be found here  

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

Death of a Salesman York Theatre Royal credit FEAST
News

York Theatre Royal Announces New Revival of Death of a Salesman and Return of Tristan & Yseult in 2027 Season

Sparks Headshots Images supplied without credit by publicist
News

Stiwdio Clwyd announces inaugural artists for Sparks development programme

Sinatra The Musical. Featuring the entire company. Photography by Birgit and Ralf Brinkhoff
Reviews

Review: Sinatra The Musical at Aldwych Theatre

We Had Fun Image supplied without credit by publicist
Edinburgh Fringe 2026

Edinburgh Fringe Preview: We Had Fun at Summerhall

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

The Turn of the Screw Cast Images supplied by publicist without credit

Cast announced for Morgan Lloyd Malcolm’s new adaptation of The Turn of the Screw

24 Emerging Theatre Companies Not to Miss at Edinburgh Fringe 2026 All images supplied by publicists

24 Emerging Theatre Companies Not to Miss at Edinburgh Fringe 2026

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly