• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Reviews

Review: A Sherlock Carol (2023) at Marylebone Theatre

"it’s a fun frolic on a wild goose chase that offers up a few laughs and a Christmassy feeling"

by Lisamarie Lamb
November 30, 2023
Reading Time: 3 mins read
Ben Kaplan and Kammy Darweish A SherlockCarol 2023 Photography by Alex Brenner

Ben Kaplan and Kammy Darweish A SherlockCarol 2023 Photography by Alex Brenner

Sherlock Holmes is a wonderful character, and Dickens’ A Christmas Carol is a fantastic story, so combining these two things should work. And it almost does in A Sherlock Carol. But not quite well enough to be completely satisfying, and the weak points that slow everything down and get rather convoluted and confused are a shame when there’s so much promise in the idea.

That’s not to say that A Sherlock Carol, written and directed by Mark Shanahan, is a bad play – it’s absolutely not. For a couple of hours, you’ll be transported to Victorian London, and you’ll follow Sherlock around as he takes on the role of Scrooge – meeting ghosts and solving crimes, all the while slowly but surely thawing out and turning from a mean spirited, somewhat broken man into a joy-filled one who finally understands what Christmas and friendship is all about.

It’s pleasant and fun in parts, but it never quite reaches laugh out loud territory until Ebenezer Scrooge (played wonderfully by Kammy Darweish) appears, and that’s not until the very end of the first act. At that point, the tempo changes, and the slow pace becomes frenzied, with jokes aplenty, some fourth-wall breaking, and, of course, a murder being solved. Sort of. I won’t give it away.

       

Ben Caplan as Holmes is convincing and entertaining, and his gradual change as he gathers more gifts from the various people he bumps into in his investigation is plain to see yet still low-key enough not to be too on the nose, which made for a lovely realisation at the end of all the changes that had come about.

Other cast members were just as strong, with particularly fun turns by Jessica Hearn as Lestrade (complete with huge fake moustache) and Richard James as a rather panto-dame-esque housekeeper with a secret and a penchant for chocolate cake.

You mightalso like

Daniel's Husband image supplied by publicist

Daniel’s Husband to Make UK Premiere at Marylebone Theatre

Seagull A True Story, credit Frederick Charles

Seagull: True Story Transfers to Marylebone Theatre Following Acclaimed New York Run

If you love a bit of Sherlock Holmes and you have a fairly decent knowledge of the canon and mythos surrounding the celebrated detective, you’ll probably unlock a good few Easter eggs hidden (or not so hidden) in the story of A Sherlock Carol. If you’re not such a fan, things could get a bit tricky, with characters and storylines that link back to other things – things that, if you’re not aware of them won’t make much sense. Some parts are slow, some characters are confusing, and the final payoff doesn’t really make much sense. But as a piece of fan fiction goes, it’s a fun frolic on a wild goose chase that offers up a few laughs and a Christmassy feeling on a cold winter’s night.

Book A Sherlock Carol Tickets
Lisamarie Lamb

Lisamarie Lamb

Lisamarie Lamb is a novelist, freelance writer, and content creator. Her interest in theatre started with her first panto at three years old and is now something of an obsession.

Related Articles

Daniel's Husband image supplied by publicist
News

Daniel’s Husband to Make UK Premiere at Marylebone Theatre

Seagull A True Story, credit Frederick Charles
News

Seagull: True Story Transfers to Marylebone Theatre Following Acclaimed New York Run

The Wanderers image supplied by publicist
News

Anna Ziegler’s The Wanderers to Make UK Premiere at Marylebone Theatre This Autumn

A Role to Die For Images supplied by publicist
News

Tanya Franks to Star in London Transfer of Barn Theatre’s Hit Spy Comedy A Role To Die For

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Burlesque in Rehearsal credit Maja Smiejkowska

Rehearsal Photos Released for Burlesque the Musical Ahead of West End Debut at the Savoy Theatre

The Seal Woman Image supplied by publicist

The Seal-Woman and Actéon Bring Operatic Magic Back to Pitlochry Festival Theatre’s Explorers Garden

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly