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Review: Birdsong at Alexandra Palace Theatre

"A deeply moving and visually stunning piece of theatre"

by Kit Bromovsky
February 28, 2025
Reading Time: 6 mins read
Max Bowden & James Esler in Original Theatre s touring production of Birdsong (c) Pamela Raith Photography

Max Bowden & James Esler in Original Theatre s touring production of Birdsong (c) Pamela Raith Photography

Five Star Review from Theatre WeeklySebastian Faulks’ Birdsong returns to the stage in a breathtaking new production, marking the 30th anniversary of the beloved novel. Directed by Alastair Whatley and designed by Richard Kent, this adaptation is a visually striking and emotionally charged exploration of love and war.

Set against the backdrop of early 20th-century France, Birdsong follows Stephen Wraysford, a young Englishman who embarks on a passionate and life-altering affair with Isabelle Azaire. Their romance is soon torn apart by war, as Stephen is thrust into the horrors of the Western Front. The contrast between the idyllic pre-war love story and the grim reality of life in the trenches is one of the production’s most powerful elements, immersing the audience in both the beauty and brutality of the era.

James Esler delivers a gripping performance as Stephen, portraying his journey from a hopeful young man to a battle-hardened soldier with depth and emotional intensity. Charlie Russell brings complexity to Isabelle, making her presence felt even in her absence. Max Bowden shines as Jack Firebrace, a working-class sapper whose resilience and devotion to his family provide some of the play’s most heartbreaking moments. Joseph Benjamin Baker, in his dual roles as Evans and Levi, adds further nuance, highlighting the camaraderie and sacrifices made by soldiers in the trenches. The chemistry between the cast members ensures that both the love story and the wartime struggles feel raw and deeply affecting.

       

Richard Kent’s set design is striking in its simplicity. The stage is framed by green blinds, an initially sparse setup that allows the audience to focus on the emotional intensity of the performances. As the play progresses, the set evolves, with sloped wooden panels introduced to depict the claustrophobic tunnels and the shifting landscapes of war. This effective and symbolic staging brings an extra layer of tension and unease, immersing the audience in the soldiers’ experience.

Rachel Wagstaff has written a truly beautiful adaptation that respectfully honours the original novel. While the play’s length slightly dampens its impact in places, the storytelling remains immersive, with moments of heartbreaking tenderness balanced against the brutal realities of war.

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A deeply moving and visually stunning piece of theatre, Birdsong is a powerful testament to love, sacrifice, and survival.

Listings and ticket information can be found here

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Kit Bromovsky

Kit Bromovsky

Graduate of RCSSD and Lee Strasberg. Theatre producer - Soldier Arts and previously Here arts centre NYC. Actor - most notably at the NYC theatre festival. Writer - Everything theatre and was recently a judge for the pick of the fringe this year at Edinburgh. Teacher - children/adults with a diagnosis of ADHD and ASD theatre studies.

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