• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Reviews

Review: Candace Bushnell True Tales of Sex, Success and Sex and The City at The London Palladium

"the true success is in its storytelling technique"

by Greg Stewart
February 7, 2024
Reading Time: 3 mins read
Candace Bushnell True Tales of Sex, Success and SEX AND THE CITY

Candace Bushnell True Tales of Sex, Success and SEX AND THE CITY

Four Star Review from Theatre WeeklyWith the star of Sex and the City, Sarah Jessica Parker, currently performing in London at the Savoy, it was the turn of the real-life Carrie Bradshaw to take to the stage of the London Palladium tonight. Candace Bushnell : True Tales of Sex, Success and Sex and the City stopped off in London for one night as part of a more extensive tour.

As a model and aspiring writer in New York, Bushnell started writing a column for the New York Observer. It was here she introduced the world to her own alter-ego (Carrie Bradshaw) and began sharing the sexploits of herself and her girlfriends. The column was titled Sex and the City, and went on to be published as a book, and later  (as you probably know) became a smash hit HBO television series.

This one woman show sees Bushnell take to the stage to tell her own story, from her early days partying at Studio 54, to becoming a New York Times best selling author. The posters on the outside of the theatre describe it as ‘the ultimate girls night out’ and though I’m not in the best position to judge if that’s true, the show is perhaps a little too sedate to live up to that claim.

Sprinkled with fun elements; including some audience interaction for a game of real or not real, and some useful lessons in love, this is an autobiography told on stage. It’s wonderfully written, demonstrating the skills that brought Bushnell so much success. One minute she’s dropping gossip tastier than the first Cosmo of the night, next she’s tossing scrunchies into the audience with gay abandon.

It’s an incredibly interesting story, Candace Bushnell : True Tales of Sex, Success and Sex and the City succeeds in demonstrating just how hard Bushnell had to graft to achieve success, and as such feels truly inspirational. But it does also try a little too hard to shoe in some messages of positivity and the lack of subtlety becomes obvious.

You mightalso like

Gentlemen Prefer Blondes Image supplied without credit by publicist

Megan Hilty and Rachel Tucker to Star in Gentlemen Prefer Blondes Concert at the London Palladium

La Voix at the London Palladium credit Piers Allardyce

La Voix announces London Palladium date for 2027 UK tour

Bushnell probably hasn’t had that much experience of performing in a theatre, but she appears as comfortable on stage as she does in a pair of Manolo’s and the audience easily warms to her easy going style.

Audiences expecting to have a few drinks and party like Samantha might be disappointed, True Tales of Sex, Success and Sex and the City is fun in the most part, but the true success is in its storytelling technique.

Full tour listings and ticket information can be found here

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

Gentlemen Prefer Blondes Image supplied without credit by publicist
News

Megan Hilty and Rachel Tucker to Star in Gentlemen Prefer Blondes Concert at the London Palladium

La Voix at the London Palladium credit Piers Allardyce
News

La Voix announces London Palladium date for 2027 UK tour

Johannes Radebe FINALLY HOME credit Matt Crockett
News

Additional London Palladium Matinee Added for JOHANNES RADEBE: FINALLY HOME Due to Demand

Johannes Radebe FINALLY HOME credit Matt Crockett
News

Johannes Radebe announces 2027 UK tour of Finally Home

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Diego Rodriguez Credit Sam Pickart, James Olivas credit Alex Johnson, Bella Brown Credit Clare Park

Additional Casting Announced for Jamie Lloyd’s Broadway Transfer of Evita

Nine Night Cast Image supplied without credit by publicist

Kiln Theatre Extends Nine Night Run and Reveals Full Cast for New Revival

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe Reviews
    • Edinburgh Fringe News
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly