• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Reviews

Review: Concrete Hearts from Playing On

by Magdalena Pulit
August 3, 2020
Reading Time: 3 mins read
Concrete Hearts Review

Concrete Hearts Review

Concrete Hearts is more than a remote theatrical production. It is a digital live experience, written and performed by young people. Together, they create Drilling Diamonds – a programme for the youth for whom witnessing crime and violence could constitute their daily routine, led by Playing ON charity.

Therefore, the show undoubtedly touches upon valid and extremely current topics. The plot oscillates around the death of Kane, killed in a gang fight and subsequently, contrastive concepts of grief within his community. His cousin, JJ releases a track glorifying violence that raises different reactions among members of his family.

However, the story in Concrete Hearts goes deeper and unravels secrets and issues of all the characters somehow related to one another – brothers, sisters, uncles, aunts, boyfriends and girlfriends. Primarily, it delivers an honest depiction of the black community and constitutes a refreshing counterbalance to mass media, still not handling the problem of misrepresentation. The text of the play, written by Michael Amaning deserves the applause as the short but content-full dialogues accurately capture the whole wide range of emotions and relationships. The oxymoronic title perfectly conveys the show’s conflicting values – violence, crime and aggression on the one hand, and grief, loyalty, concern and family on the other.

       

The interactive form of Concrete Hearts should be noticed too. The live event combines excerpts from the film, live hot seating of the characters and community conversation, all interlaced with the original tracks written by the company. ‘The Role of a Woman’ deserves particular attention as it is not only catchy but also, extremely touching.

The live hot seating of the characters does not seem so convincing, due to both not the greatest quality of the live stream (the ongoing problem of the remote theatre) and quite an artificial, static setting. The excerpts from the film, however, are far more gripping as the young people from Drilling Diamonds developed an interesting socially distanced filming method. It is not a simple Zoom call; instead, the phones are filmed from above to show the conversations between the characters. This method definitely delivers a bigger picture and brings the characters closer together. Moreover, even different phone models belonging to different characters contribute somehow to their diverse depiction.

You mightalso like

Jim Pope

Interview: Jim Pope on Ten Years of Playing ON

Playing On Theatre Company

Playing ON Celebrates Tenth Anniversary by Looking to The Future

Even if some of the young actors are not as great as Tavoi Warren (KT) in the role of JJ and they do not face up to big themes such as DON’T GLORIFY VIOLENCE or WISDOM OF A WOMAN, the show is definitely worth seeing, even for the involvement and passion of these young hearts, made of something way softer than concrete.

Stream Concrete Hearts Here

Magdalena Pulit

Magdalena Pulit

Magdalena is a London-based freelance writer, with a master's degree in Shakespeare Studies, passionate about all kinds of theatre and music.

Related Articles

Jim Pope
Interviews

Interview: Jim Pope on Ten Years of Playing ON

Playing On Theatre Company
News

Playing ON Celebrates Tenth Anniversary by Looking to The Future

Jim Pope
Interviews

Interview: Jim Pope on Can I Help You? At The Omnibus Theatre

Playing ON Presents Can I Help You
News

Playing ON presents the World Premiere of Can I Help You?

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Spin A Play (Credit Lynsey Nicol)

Spin-a-Play Brings Improvised Chaos to Camden Fringe 2025

The sound of Music Cast Image supplied by publicist

The Sound of Music Full Cast Announced for Curve’s 2025 Christmas Production

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly