After its critically acclaimed, and sold-out, run at the Donmar Warehouse, Next to Normal has made its long-awaited transfer to the West End’s Wyndham’s Theatre, bringing with it the same exceptional cast and powerful storytelling that captivated audiences last year.
Tom Kitt and Brian Yorkey’s Pulitzer Prize-winning musical proves that complex themes of mental health, grief, and substance abuse can be explored with nuance and sensitivity in the musical theatre format. While shows like Dear Evan Hansen have since tackled a similar subject matter, Next to Normal (first seen on Broadway fifteen years ago) remains the trailblazer in its unflinching portrayal of a family grappling with bipolar disorder.
Michael Longhurst’s production loses none of its impact in the transfer to a larger venue. If anything, the intimate exploration of Diana’s struggle with mental illness and its effects on her family feels even more poignant on the West End stage. The rock-infused score, brilliantly executed by Nick Barstow’s musical direction, resonates throughout the theatre, emphasising the emotional highs and crushing lows of each characters’ journey.
The stellar cast from the Donmar production returns in full force, led by the incomparable Caissie Levy as Diana. Levy’s portrayal of a woman torn between the numbing effects of medication and the desire to feel something – anything – is even more heart-wrenching in this larger space. Her rendition of “I Miss The Mountains” remains a standout moment, capturing the complex emotions of her character with stunning vocal prowess.
Jamie Parker as Dan and Trevor Dion Nicholas in his dual role as Diana’s doctors deliver those carefully balanced performances which highlight the challenges faced by those who are supporting individuals with mental illness.
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Eleanor Worthington-Cox and Jack Ofrecio reprise their roles as Natalie and Henry, bringing depth to the subplot of teenage angst and budding romance. The pair are spectacular, and Worthington-Cox’s performance of “Superboy and the Invisible Girl’ is devastatingly brilliant.
Jack Wolfe’s performance as Gabe (which earned the actor an Olivier Award nomination) continues to be a tour de force. A haunting presence, and with powerful vocals in numbers like “I’m Alive” and “There’s a World” are, if possible, even more impactful than they were in the previous run. Combined, this is some of the most perfect casting to be found on the West End.
Chloe Lamford’s set design, featuring a modern Scandinavian-style kitchen, translates beautifully to the Wyndham’s stage. The use of screens and video projections to illustrate Diana’s mental state adds layers to the storytelling, creating a visually striking backdrop for the unravelling of a family’s grief.
While the themes of Next to Normal remain challenging, the production’s sensitive handling of bipolar disorder and its effects on family dynamics continues to strike deeply with the audience. The musical’s exploration of how treatment can sometimes be as difficult as the illness itself is as thought-provoking as ever.
This West End transfer of Next to Normal proves that the show’s power to move and enlighten audiences has not diminished. It remains a landmark piece of musical theatre, combining raw emotion with musical excellence.
For those who missed it at the Donmar, this limited West End run is an unmissable opportunity to experience a truly exceptional production that pushes the boundaries of what musical theatre can achieve.
