Transferring to the Southwark Playhouse in London after a month long run at Edinburgh Fringe, the Police Cops prove once again that they’re masters of reinvention. Their new version of the uproarious hit show, Police Cops The Musical, had already undergone a delightful transformation, and a few tweaks and additional songs for this run promises a riotous night of laughter for both newcomers and devoted fans.
For those familiar with the show’s previous incarnations, the heart of the story remains true. Young Jimmy Johnson’s quest for vengeance after a family tragedy propels him on a mission to become the “best damn police cop ever.” Alongside him is the embittered former cop Harrison, and their journey to confront the villainous Harnandez is a rollercoaster of hilarious escapades.
Police Cops The Musical is a whirlwind of madcap comedy, this is absurdity at its very best. The trio at the helm, Zachary Hunt, Nathan Parkinson, and Tom Roe, exude a captivating chemistry on stage, underscoring why their Police Cop series has enjoyed such enduring success.
Everything might look a bit messy, semi-improvised or even under rehearsed, but don’t be fooled. This is the Police Cops trademark brand, and it’s actually slickly choreographed down to the finest detail. Speaking of brand, despite many incarnations of the show, the team have retained the elements that make this show distinctly their own; from the ‘guns’ the cops carry, to the physical comedy and crazy costume changes.
Zachary Hunt leads as Jimmy, alternating between a self-deprecating humour and unbridled confidence, all while demonstrating strong vocal skills. Nathan Parkinson, playing many different characters, always manages to surprise and delight, his big song and dance number ‘80’s Cop’ is an outrageously funny and high energy routine.
Tom Roe’s improvisational skills inject spontaneity into the performance, leaving his fellow cast members with no choice but to react, resulting in very funny, unscripted moments that elevate the humour. The five-member cast, including Melinda Orengo and Natassia Bustamante, masterfully juggle an array of characters, executing rapid-fire costume changes that defy belief before returning to dazzle the audience.
This new version of Police Cops The Musical boasts a fresh score by Ben Adams, one half of Subwoolfer and the genius behind Eugenius. The high-octane and ear worm tunes are unmistakably Adams, and unmistakably eighties, transporting us straight into the vibrancy of that decade, with comedic ballads and rousing anthems comprising this musical sensation.
It’s the unwavering dedication of the cast and creative team that ensures the show’s continued success. If you thought Police Cops The Musical was a riot before, prepare for a delightful surprise, this new version might just be the zaniest and cleverest comedy musical in London.
