• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Reviews

Review: The Highgate Vampire at Omnibus Theatre

“a riotous, razor-sharp comedy that revels in the ridiculous”

by Greg Stewart
December 18, 2025
Reading Time: 3 mins read
The Highgate Vampire, Bag of Beard Theatre, photo by Charlie Flint (1)

The Highgate Vampire, Bag of Beard Theatre, photo by Charlie Flint

Four Star Review from Theatre WeeklyBag of Beard Theatre’s latest offering, The Highgate Vampire, is a deliciously dark slice of fringe theatre that proves horror and hilarity can make excellent bedfellows. Co-writers and performers Alexander Knott and James Demaine take inspiration from one of London’s strangest urban legends, spinning a tale that is as absurd as it is atmospheric.

The production begins in unexpected fashion: a lecture delivered by a demon-hunting priest, with the audience cast as eager attendees. It is a clever conceit that immediately sets the tone, blending fact and fiction with a wink. Knott’s priest evokes shades of Frankie Howerd’s Francis Bigger in Carry On Doctor, all pomp and theatrical flourish. Alongside him is Demaine’s Farringdon, a tobacconist by day and vampire hunter by night, whose sardonic wit and occult leanings make for a compelling foil. The pair are sworn enemies, yet necessity forces them into uneasy alliance, and their rivalry simmers deliciously throughout.

Perhaps the biggest selling point of The Highgate Vampire beyond is its refusal to lean on tired tropes. Instead, Knott and Demaine craft a black comedy that feels fresh, mining humour from character rather than cliché. The writing is sharp and self-aware, and the performers’ chemistry is undeniable. They bounce off each other with ease, their verbal sparring as entertaining as the supernatural antics that follow.

       

Ryan Hutton’s direction keeps the pace brisk, ensuring the shifts between lecture hall and 1970s Highgate never jar. Lighting and sound design (Sam Heron) contribute significantly to the mood, conjuring the eerie shadows of the cemetery before snapping back to the sterile glow of academia. Amid the chaos, Audrey, the long-suffering tech operator, emerges as an unexpected audience favourite, grounding the madness with innocent charm.

At just seventy minutes, the piece feels taut yet leaves you wanting more. There is a sense that this story could expand into something bigger, but as a festive antidote to pantomime and sentimentality, this is one to sink your teeth into. Bag of Beard have carved out a niche for inventive, atmospheric storytelling, and The Highgate Vampire is no exception: a riotous, razor-sharp comedy that revels in the ridiculous without losing sight of its gothic roots.

You mightalso like

Smoke Kings Head Theatre Photo by Tyler Kelly

Review: SMOKE at Omnibus Theatre

Albatross by Menagerie Theatre Image supplied by publicist

Albatross embarks on UK tour with London run at Omnibus Theatre

Listings and ticket information can be found here

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

Smoke Kings Head Theatre Photo by Tyler Kelly
Reviews

Review: SMOKE at Omnibus Theatre

Albatross by Menagerie Theatre Image supplied by publicist
News

Albatross embarks on UK tour with London run at Omnibus Theatre

Slippery at Omnibus Theatre. Image credit Ali Wright (1)
Reviews

Review: Slippery at Omnibus Theatre

Louis Emmitt Stern Credit Diana Field
Interviews

Interview: Louis Emmitt-Stern on Slippery at Omnibus Theatre

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Alexandra Burke as Chaka Khan & cast in I'M EVERY WOMAN, credit Danny Kaan

I’m Every Woman – The Chaka Khan Musical to transfer to Troubadour Wembley Park Theatre

Toby Stephens (Martin Dysart), Noah Valentine (Alan Strang), and Lindsay Posner credit Manuel Harlan

First look images released for Menier Chocolate Factory’s revival of Equus

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly