• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News

The Daughter-In-Law Will Transfer to the Arcola’s Main House

by Staff Writer
August 22, 2018
Reading Time: 1 min read
The Daughter In Law Arcola Theatre

The Daughter In Law Arcola Theatre

Arcola Theatre and Dippermouth’s production of The Daughter-In-Law will transfer to the Arcola’s main house in January 2019.

D H Lawrence’s 1913 play, never performed in his lifetime, entwines the struggles of a young married couple with those of a community on strike. It is set around the mines of Eastwood, Nottinghamshire, where Lawrence was born and raised.

The most popular show ever to be staged in the Arcola’s studio, The Daughter-In-Law received critical acclaim and three Off West End award nominations (Best Female Performance, Best Direction, Best Costume Design).

       

This main-house transfer will see the space reconfigured for the production’s unique in-the-round staging.

The Daughter-In-Law is directed by the Arcola’s associate director Jack Gamble, Matthew Biddulph (Joe Gascoyne), Ellie Nunn (Minnie Gascoyne) and Veronica Roberts (Mrs Gascoyne) are returning from the original cast.

You mightalso like

Indra Ové and Mithra Malek in Iphigenia (c) Ikin Yum (1)

Review: Iphigenia at Arcola Theatre

Preston Nyman & Eva Feiler (c) Alex Brenner (1)

Review: Dear Jack, Dear Louise at Arcola Theatre

The Daughter-In-Law will run from Thursday 10 January – Saturday 2 February 2019.

Buy Tickets

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

Indra Ové and Mithra Malek in Iphigenia (c) Ikin Yum (1)
Reviews

Review: Iphigenia at Arcola Theatre

Preston Nyman & Eva Feiler (c) Alex Brenner (1)
Reviews

Review: Dear Jack, Dear Louise at Arcola Theatre

Autumn Quartet Image supplied by publicist
News

Cast announced for Quartet in Autumn at Arcola Theatre

Grimeborn 2026 (c) Charlie Flint (1)
News

Grimeborn Opera Festival 2026 Unveils Full Programme for Landmark 19th Year

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Christmas Carol Goes Wrong Image credit Mark Senior

Mischief’s Christmas Carol Goes Wrong set for West End return and global tour

Theatre Royalty Drury Lane Image supplied by publicist

West End stars announced for one-night-only Theatre Royalty Drury Lane concert

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly