Edinburgh Review: The Man on the Moor at Underbelly Cowgate
Max Dickins has the ability to give incredible depth to a solo performance. He did it to great effect last...
Max Dickins has the ability to give incredible depth to a solo performance. He did it to great effect last...
Three full length mirrors allow the bulk of the audience to see themselves watching Dust, directed by Sara Joyce, at...
Sometimes you get to the end of a play and you're a million miles away from where you expected to...
At just 26, Rhys James is becoming a Fringe stalwart. The first time I saw him he was doing a...
Milly Thomas’s Brutal Cessation is at The George Square Box under the direction of Bethany Pitts, and is an interesting...
A 3pm, Tuesday afternoon audience, on the first properly sunny day of Edinburgh Fringe, was never going to be easy...
The title doesn’t give many clues to the plot of this particular play, which can be seen at Summerhall’s fantastic...
Musicals tend to be based on a central theme; betrayal or jealousy, lies and deception, you know the kind of...
Therese Ramstedt - Mission Abort Pain! Shame! Confusion! Or... empowering freedom and a massive relief? Strong opinions on abortion legislation...
Matthew Floyd Jones - Richard Carpenter is Close To You Richard from The Carpenters used to be on top of...
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