• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2025

Edinburgh Fringe Review: A STAN IS BORN! at Gilded Balloon Patter House (Blether)

“A Stan is Born shines brightest in its unscripted, heartfelt moments.”

by James Hattan
August 23, 2025
Reading Time: 2 mins read
A STAN IS BORN!, credit Lucy Plumb

A STAN IS BORN!, credit Lucy Plumb

You mightalso like

Gilded Balloon 2026 First On Sale All Images supplied by publicist

Gilded Balloon Unveils First Shows for Edinburgh Fringe 2026

Float credit Mihaela Bodlovic

Edinburgh Fringe Review: FLOAT at Gilded Balloon Patter House (Other Yin)

Alexis Sakellaris is proudly a diva. From start to finish of their autobiographical one-man show A Stan is Born, they strut across the stage, recounting memories of their youth in rural Germany and taking the audience through a roll-call of their favourite pop divas. It is, at points, a joyful show, with Sakellaris’ energy infectious, their genuine adoration of Celine Dion (amongst others) seeping into the auditorium.

Yet too often their memories feel too scripted, relying on a show packed with jokes that sometimes land but are often too niche or don’t quite hit the mark. Sakellaris is clearly a master of crowd work and improv – they jokingly call out a woman on the front row eating crisps, and even welcome me into the space as I come running in five minutes late. It is in these moments when their performance feels most alive and authentic; they invent punchlines on the spot, which land every time. Yet this crowd work is mostly hidden away, with Sakellaris continually returning to a slightly stilted script that is nowhere near as comedic as their off-the-cuff remarks.

Similarly, their songs are highlights, holding many a catchy lyric and allowing Sakellaris to show off their extremely impressive voice, riffing endlessly. The titular A Stan is Born is a particular bop. Yet once again, they are not foregrounded nearly enough. The most moving section of the show comes when Sakellaris sings of their mental pain after being homophobically abused as a child – it’s a genuinely well-written musical theatre ballad, Sakellaris’ voice clearly full of emotion. When we reach this moment, shifting from chaotic comedy to visceral emotion, it becomes clear that this is an undeniably well-structured show. The audience has been consistently reminded of the joy of these divas, so the subsequent pain of that joy being crushed hits hard. It leaves us with the long-lasting message that everyone can, and should, be a diva.

       

A Stan is Born holds moments of brilliance, and Alexis has an infectious and immediately loveable personality. I may not quite stan over this performance, but it is most certainly an hour of camp, energetic fun.

James Hattan

James Hattan

James is an 18 year old student from Suffolk, holding a life-long passion for theatre, and specifically loving classic older texts that are presented in modern and exciting ways! He’s hoping to study Drama at Bristol Uni from September and when not hooked in a theatre can be found watching Oppenheimer for the 7th time.

Related Articles

Gilded Balloon 2026 First On Sale All Images supplied by publicist
Edinburgh Fringe 2026

Gilded Balloon Unveils First Shows for Edinburgh Fringe 2026

Float credit Mihaela Bodlovic
Edinburgh Fringe 2025

Edinburgh Fringe Review: FLOAT at Gilded Balloon Patter House (Other Yin)

The Players of Diadon credit Tobi Ejirele
Edinburgh Fringe 2025

Edinburgh Fringe Review: The Players of Diadon at Gilded Balloon Patter House (Other Yin)

Michelle Collins, publicity shot for Motorhome Marilyn © Michael Wharley
Edinburgh Fringe 2025

Edinburgh Fringe Review: Motorhome Marilyn at Gilded Balloon Patter House (Doonstairs)

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Emma Cunniffe (Dora Strang) credit Manuel Harlan (1)

Interview: Emma Cunniffe on Equus at the Menier Chocolate Factory

Fish in a Kettle Image supplied by publicist

Fish in a Kettle brings surreal immersive house party to Liverpool

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly