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Home Edinburgh Fringe 2023

Edinburgh Interview: Marc Benga on Young Pleasance’s Showgirls and Spies at Pleasance Dome

"We hope to give the young performers a real experience on what it is to work in this industry"

by Greg Stewart
July 20, 2023
Reading Time: 5 mins read
Marc Benga credit to Ori Jones

Marc Benga credit to Ori Jones

Every year at Edinburgh Fringe, audiences look forward to the annual production from Young Pleasance, which this year is Showgirls and Spies, promising a captivating journey into the world of espionage during World War II. We caught up with co-director Marc Benga, who shared more about this unique production.

Reflecting on his involvement with Young Pleasance, Marc expressed his initial admiration for the company and their commitment to nurturing young talent. It was through fellow performer Rebecca Wilson that Marc found himself given the opportunity to co-direct the renowned fringe show. Marc explained, “she got speaking to me once, and explained that she was being given the opportunity to write and also direct the Young Pleasance Fringe show, and would I like to be involved with it?”, Marc begins to laugh, “I didn’t quite comprehend it. Like what? Me? I’ve got no connections with the Pleasance, but, yeah, they were kind enough to allow me to come in as part of the family and direct their next piece.”

When asked about the role of co-director, Marc described it as a collaborative endeavour where he and Rebecca worked together to bring their creative vision to life. He emphasised the value of this partnership, stating, “It kind of allows you to have your creative output, but also constantly go through a deeper thought process as to why you bring things to the forefront.” Marc added, “We’re constantly on WhatsApp, just sending messages to each other, communicating about one idea or another and then building and developing on each other’s ideas.”

       

Having previous experience in collaborative work, Marc felt that this co-directing role was well suited, especially as Young Pleasance are known for this approach, “I work collaboratively. That’s what the majority of my work is.” Acknowledging that the intense rehearsal period at the Fringe necessitates a great deal of pre-work, allowing them to enter the rehearsal room with a clear vision and framework. Marc stated, “Hopefully, the aim is that when we come straight in from day one, we’ve got a vision, we’ve got an idea, and it’s a case of allowing the young people to bring themselves to the framework that we already have, as it were.”

As the conversation shifted to Showgirls and Spies, Marc spoke enthusiastically about the piece, describing it as “an exhilarating piece of work,”. Marc elaborates: “We all know the stories of World War II from the viewpoint of the front line, but there was this other war happening – the war of espionage.” The show seeks to shed light on this lesser-known aspect, focusing on strong female characters who strive to restore justice and help those in need. Drawing from real-life scenarios and inspired by Rebecca’s great aunt.

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When it comes to working with the young actors, Marc emphasised the importance of their outlook on the world, expressing an eagerness to incorporate their ideas and perspectives, sharing, “I’m really looking forward to bringing their weight, their ideas and their viewpoints and their opinions about the world.” Marc noted their enthusiasm and the excitement they bring, recalling a research and development phase where their collaborative input surpassed expectations.

In discussing the physicality of the show, Marc confirmed that it would be a prominent element. With a background in physical theatre, Marc expressed a desire to provide the young performers with a genuine experience akin to working in the West End, “We hope to give the young performers a real experience on what it is to work in this industry, it’s not just about performing at Fringe.”

Marc clarified that the production was not exclusively aimed at young audiences and discussed the professional standards set by Young Pleasance, stating, “Their productions are renowned for being not the typical youth theatre productions.” The goal is to provide a fulfilling experience for both the young actors, for whom it might be their first production, and audience members of all ages.

This isn’t Marc’s first time at Fringe, “I’m excited about returning to the festival, having witnessed the vibrant atmosphere and hard work involved, I love the beautiful vibe that’s all around.”

       

Marc shared his admiration for the young performers and the opportunity to contribute to their development, emphasising the importance of championing young talent and being part of a larger community dedicated to fostering creativity.

As Showgirls and Spies takes to the stage at the Edinburgh Fringe 2023, audiences can anticipate an exhilarating production that seamlessly blends espionage, courage, and the energy of emerging talent, reminding us of the audacity and bravery needed in today’s world. In Marc’s own words, “Come join us and have a good time with us.”

More information about Showgirls and Spies, directed by Marc Benga, can be found here.

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

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