• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Edinburgh Fringe 2024

Edinburgh Review: Boiler Room Six: A Titanic Story at Greenside @ George Street

"a really fresh, powerful, and interesting new take on the most famous maritime disaster in history"

by Matthew Hayhow
August 6, 2024
Reading Time: 3 mins read
Boiler Room Six credit Tom Foreman

Boiler Room Six credit Tom Foreman

Four Star Review from Theatre WeeklyOur culture has a deep fascination with the sinking of the Titanic, but the most famous depictions of the disaster are framed from the point of view of the ship’s guests on the upper decks. What is often overlooked is the experiences of the ship’s crew, who were given the impossible choice of fending for themselves, or continuing to work to keep the lights on whilst the ship went down. Boiler Room Six tells the story of Frederick Barrett, a stoker on the Titanic whose story of survival and sacrifice gives a well-informed, visceral, and powerful insight into the last few hours of the Titanic.

We follow Barrett from the beginning of the voyage, hanging out in the crew’s quarters, meeting the other crew members, and we get a sense of the normalcy that is disrupted when the ship hits ice. From then on, we are right there in almost real time as Barrett deals with the sinking of this unsinkable ship, trying to keep the lights on for as long as possible, whilst at the same time trying to do right by his crew and the dangers they also face.

Boiler Room Six is a one-man show, played with the energy and physicality required for such a dynamic, dramatic story. The only props are two benches, but the play is blocked and devised so cleverly that you’re always where the play wants you to be. The actor plays different crew members and makes them different enough so that it’s never confusing who is speaking, without it being too cartoonish.

       

The play, written by Tom Foreman, is beautifully written and full of detail, which only helps the audience to be drawn into the story. The loud, energetic parts are exciting, but the play provides enough quiet moments that allow the characters and the audience to reflect. With this, we really get the sense of what the crew have left behind to be on this ship, and what they are sacrificing in their decision to remain.

There are plenty of sound effects underscoring the drama, some of which can get very loud. Whilst this does contribute to the sense of scale, the actor’s decision not to use a microphone means that some of the dialogue does get washed out. Even sat at the front, there were some moments where I was unable to parse what was being said. Nevertheless, Boiler Room Six is a really fresh, powerful, and interesting new take on the most famous maritime disaster in history.

You mightalso like

Jello Brain Image supplied by publicist

Edinburgh Fringe Preview: Jello Brain at Olive Studio, Greenside @ George Street

Sam Hardie photo by Tommy Ga Ken Wan

Interview: Sam Hardie on Grease at Pitlochry Festival Theatre

Matthew Hayhow

Matthew Hayhow

Matthew Hayhow is a freelance writer who has written and edited for Vulture Hound, The Idle Man and Orchard Times. He writes about theatre, literature, film, music and video games. Matthew has an MA in Linguistics and English Language fro the University of Glasgow. He is based in Glasgow.

Related Articles

Jello Brain Image supplied by publicist
Edinburgh Fringe 2025

Edinburgh Fringe Preview: Jello Brain at Olive Studio, Greenside @ George Street

Sam Hardie photo by Tommy Ga Ken Wan
Interviews

Interview: Sam Hardie on Grease at Pitlochry Festival Theatre

Hamstrung image courtesy of the company
News

Hamstrung to Play at The Glitch

Miranda Cromwell (c) Mat Seadon Young, Sophie Duncan (c) Hannah Veale Photography and Lynn Nottage
News

National Theatre Welcomes New Artistic Associates

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Elisabeth Gunawan in STAMPIN' IN THE GRAVEYARD (c) Valeriia Poholsha

Edinburgh Fringe Preview: Stampin’ in the Graveyard at Summerhall Arts (Red Lecture Theatre)

Donmar Schools Tour Image supplied by publicist

Frankenstein Adjusts His Ring Light (And Then Starts Dancing) Begins Donmar Warehouse’s 2025 Local Schools’ Tour

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly