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Home Edinburgh Fringe 2023

Edinburgh Review: Public – The Musical at Pleasance Courtyard

“dazzles theatrically but also touches the heart”

by Rachael Davies
August 15, 2023
Reading Time: 2 mins read
Public The Musical credit Jonny Ruff

Public The Musical credit Jonny Ruff

Five Star Review from Theatre WeeklyPublic – The Musical delivers in every area: precise direction, breathtaking vocals, and authentic acting from its foursome of performers, Andrew Patrick-Walker, Alicia Corrales, Annabel Marlow, and Hugo Rolland. Written and composed by Kyla Stroud, Hannah Sands, and Natalie Stroud, the musical boasts not only a captivating narrative but an intelligent appraisal of one of the most hotly-debated issues of the moment: gender identity.

The on-stage quartet deliver performances that can only be described as superb. Even when not speaking, every mannerism is carefully played to deliver full characters that the audience fully understands, an impressive feat for a one-hour musical.

What truly sets Public – The Musical apart from the rest of the crowded Fringe programme is its meticulously crafted characters. The audience is introduced to multi-faceted personalities from across the social spectrum, each with their own distinct histories, desires, and challenges. The depth and nuance with which these characters are portrayed make it easy to connect with them – even, and perhaps especially, with those you are less inclined to like immediately.

       

An aspect deserving of particular acclaim is the musical’s treatment of contemporary issues. In an era marked by polarising debates, Public delves into subjects like pronouns and gender-neutral toilets with intelligence and grace. It would be easy to point and laugh at those with opposing views, but the minds behind Public achieve something far harder: constructive dialogue.

Far from presenting a closed-off perspective, the narrative encourages a holistic understanding. It invites the audience to engage in meaningful discussions, fostering empathy and bridging divides across social and political spectrums.

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In essence, Public – The Musical is more than just a theatrical experience—it’s a thought-provoking journey that prompts reflection and conversation while also offering top-tier entertainment. Kudos to Stroud and Notes for crafting a show that not only dazzles theatrically but also touches the heart.

Rachael Davies

Rachael Davies

An Edinburgh local and long-time arts lover, Rachael Davies is a freelance journalist who loves the wide diversity of the Fringe and the festival's creativity. With a special love for feminist and LGBTQ+ retellings, she loves everything from musicals and theatre to comedy and stand-up.

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