• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Interviews

Interview: Alice Vilanculo on Rime of the Second Sister

“I honestly think audio plays don’t get enough recognition for how transportive they can be as a form of storytelling. Not only doesn’t it limit you to a singular version of a story, it forces you to think of an infinite amount possibilities”

by Greg Stewart
August 15, 2021
Reading Time: 3 mins read
Alice Vilanculo

Alice Vilanculo

Alice Vilanculo stars as Riley in Rime of the Second Sister, the last instalment of 45North’s Written on the Waves series.

Written by Ava Wong Davies and directed by Jessica Rose McVay, this final play is configured as a ‘choose your own adventure audio experiment’ asking whether or not stories can save us.

More details can be found here

       

You’re starring in Rime of the Second Sister, what can you tell us about this new audio play?

Rime of the Second Sister is a wonderfully touching piece that follows the story of two sisters, Riley and Eliza ,on their daily battle of merging the innocence of childhood with the responsibility of caring for a loved one.

What were your first thoughts when you heard it was a ‘choose your own adventure’ style play?

Most times when I watch or listen to a play I think “What would have happened if they didn’t get on that bus, or what if they left 5 minutes before… Both as artists and listeners, you very rarely get to experience the alternative endings, so you can imagine how exciting it must have been.

You mightalso like

Company of Princess Smartypants - credit Paul Blakemore

Review: Princess Smartypants on Tour

Sabrina Wu AKTA Photography

Royal Court Theatre announces casting for Graceland by Ava Wong Davies

What’s it been like working on an audio play, particularly one with such a unique set up?

I honestly think audio plays don’t get enough recognition for how transportive they can be as a form of storytelling. Not only doesn’t it limit you to a singular version of a story, it forces you to think of an infinite amount possibilities, and that’s exactly what Ava Wong Davies did masterfully with this play.

This play is explores loss and grief, what’s impressed you most about the way writer Ava Wong Davies, has portrayed that?

What I loved about Ava’s piece is how she married the worlds of Disney and ‘Groundhog Day-esque’ realities in the play. The sisters’ individual perceptions of their world are very different to one another due to age and awareness, but somehow they inherently know the power and importance they carry in each other’s lives.

This is the final play released in this season of Written on the Waves, how does it feel to be closing the season? 

It’s quite a wholesome feeling closing the season with a play that has a lot of heart, joy, pain humour and possibilities. I think it rightfully shines a light and speaks true to issues like mental health young carers in an authentic way.

It’s also full circle moment to be closing the season, I had the pleasure on working on ‘CUNCH‘ in the first season which also centred around two female characters at the forefront- so yay!

       

What would you say to anyone thinking of listening to Rime of the Second Sister?

What’s not to love about choosing where a story goes from the comfort of your own home?

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

Company of Princess Smartypants - credit Paul Blakemore
Reviews

Review: Princess Smartypants on Tour

Sabrina Wu AKTA Photography
News

Royal Court Theatre announces casting for Graceland by Ava Wong Davies

Ava Wong Davies
News

Ava Wong Davies Announced as Winner of Ambassador Theatre Group Playwright’s Prize in association with Platform Presents

FOUND Written on the Waves
Reviews

Review: Found Part of Written on The Waves (Online)

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

The Last Incel, credit Dean Ben Ayre (1)

Review: The Last Incel at Pleasance Theatre

Full cast of Shucked (c) Pamela Raith

First Look: Production Images Released for Shucked at Regent’s Park Open Air Theatre

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly