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Home Interviews

Interview: Cecilia Gragnani on Diary of an Expat

by Greg Stewart
March 17, 2019
Reading Time: 5 mins read
Cecilia Gragnani

Cecilia Gragnani

Faced with the possibility of having to leave her home of ten years, Cecilia Gragnani is sharing her personal experience and testimonials of others to ask: what does it feel like to be an expat? A comic story of the encounter between a modern migrant and London – a contemporary El Dorado craved by generations of young Europeans – Diary of an Expat looks at the road to becoming a British citizen, embracing a new nationality whilst staying true to your roots, and the knocks your identity takes when no country claims you as their own.

Diary of an Expat is currently touring and will play as part of the A Piece of the Continent Festival at The Actors Centre’s Tristan Bates Theatre 24th – 27th April 2019.

What is Diary of an Expat about?

Diary of an Expat is a semi autobiographic comedy about an immigrant’s journey towards full Britishness while a funny little thing called Brexit threatens the European dream of life abroad. It’s based on personal experiences as well as testimonies collected over the past years. It is a love letter to the UK as well as an attempt to create a more honest portrait of European immigrants.

       

What inspired you to write it?

The “Life in the UK” book that future citizens have to study to pass the exam and access the citizenship. It was full of comedy gold I couldn’t ignore. I also wanted to tell a story about European citizens. Despite the classics literature and plays there’s not much on stage, at least in London, that talks to and about us. I believe theatre is a precious environment where a society can come together and reflect on what happens in the world at a given time and I wanted to tell a story about how the tectonic shift that Brexit is and will be affects people and their lives.

You’ve also performed the show in Italy, which came first?

The UK version came first. The original idea was for an Italian audience, to share a story of emigration with my countrymen. Soon after Brexit started to unfold and I realised that it was a story that could resonate in the UK as well. Funding wise, it was easier and smoother to work on the UK production first. At the end of 2018 I started developing the Italian version (which will end up being a very different show as in it I will be the native, flipping the perspective) which will open in Italy before the end of the year.

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Do you consider yourself British or Italian?

Despite being now a British citizen as well, I still feel predominantly Italian. However I’ve noticed that my ten years in the UK have had a strong impact on my customs. I do struggle to accept forms of queuing that don’t follow the British way of doing it, I love sausage rolls (which I think makes me more British than the Brits themselves) and I noticed I talk much more about the weather than before. Jokes aside, I have acquired habits that have certainly come from my life in the UK and my process of integration inside the community I live in.

What do you think audiences will leave feeling?

I hope they will be entertained and feel like they spent an hour mostly laughing and partly crying or being moved. They will hopefully leave more curious about immigrants and the citizenship process. My biggest goal is for Europeans to feel less lonely, to have their story heard, and for British people to feel less scared.

What’s the funniest miscommunication you’ve had since coming to England?

The first that comes to mind is linguistic and was a few months after I arrived in 2008. I was at drama school and we were working on some scenes, I had a line which was something like “Would you like another pot?”. It was an acting for camera session and I was very focused on the technical side of the scene so instead I said “Would you like some pot?”. The whole class started laughing and explained that I had just offered drugs…

Another big miscommunication happened around tea. I offered to make some tea to a bunch of British colleagues and it didn’t go well. I would advise non British people to never be so daring. I came back with tea without milk and it didn’t go well. My colleagues were annoyed and outraged, that’s not how you make tea. But I learnt the lesson and never did it again.

       
Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

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