HMS Pinafore, after a four-year break, returns, and there is no better venue for this grand comic opera than the London Coliseum. Directed by Cal McCrystal, the story follows the hardworking sailor Ralph (Thomas Atkins) as he declares his love for the captain’s daughter, Josephine (Henna Mun), who is already promised to Sir Joseph Porter (Neal Davis). The twist? Josephine is torn, being in love with Ralph despite their different societal roles.
While HMS Pinafore is definitely funny and plays with the melodramatic aspects of opera, this production tries so hard to be relevant that it ends up becoming a bit of a mess. At times, I found myself wondering, “What is this show really about?” The narrative felt flat, almost pantomime-like, and pantomime is usually not what you would expect at the London Coliseum.
On the bright side, the show is visually stunning. The costumes are beautiful, the set is wonderful, and the orchestra, led by Matthew Kofi Waldern, is incredible. The actors truly commit, and the chorus delivers a solid performance that keeps the energy alive on stage. Their enthusiasm is infectious, and you cannot help but enjoy their passion.
That said, the “new concepts” being introduced felt like they overshadowed the original material, making it come off as cheap. I also struggled to hear the actors at various points. While I appreciate the authenticity of not using microphones (opera should preserve its roots), the staging sometimes made it difficult for their voices to project, especially in the opening scenes.
Mel Giedroyc’s character contributes very little to the show and the overall storyline, which is part of the reason for my three-star review. While they are amusing, the emphasis on comedy in various moments makes the production feel rather inexpensive, as if McCrystal was afraid that this solid comic opera from 1878 would bore the audience.
There is a moment when Captain (John Savournin) asks, “What are we talking about?” and Sir Joseph replies, “I have no idea.” Nor do I, Sir Joseph, nor do I.
Despite these critiques, the show retains its humour and is carried by a fantastic cast that genuinely loves what they are doing. The backstage team deserves applause for their seamless work throughout the performance, and the orchestra fills the Coliseum with the exhilarating sound of Gilbert and Sullivan.
Ultimately, HMS Pinafore deserves respect for its beautiful composition. Just because times have changed does not mean we should alter or add layers to the original story; if we do, it is essential to do so gently and with meaning. The characters and the music deserve to be honoured.
I would still encourage parents, children and occasional opera-goers to check it out. It will resonate easily with many. While I left feeling a tad bored and irritated by the overemphasis on comedy, seeing the joy on the faces of the actors made the experience worthwhile.
From young performers to seasoned veterans, everyone, it seemed, was soaking in the spotlight and the magic of the moment. And in the end, that joy really does matter.
Listings and ticket information can be found here.
