• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Discounts
    • Musicals
    • Plays
    • Opera
    • Dance
    • Concerts
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home Reviews

Review: Soft Sessions Live In Concert

by Sebastian Calver
April 29, 2021
Reading Time: 3 mins read
Soft Sessions Live In Concert

Soft Sessions Live In Concert

Four Star Review from Theatre WeeklyThere’s something innately intimate about letting someone into the way you cover material – particularly popular music. The same can be said for the talented musicians in the Soft Sessions Live in Concert featuring Danielle Fiamanya, Courtey Stapleton, Grace Mouat, Eloise Davies, Martha Kirby and Jake Halsey-Jones.

The songs covered and personalized range from ‘Hide and Seek’ by Fatai to ‘Never Too Much’ by Luther Vandross and for the most part encourage a mellow and relaxing atmosphere. It’s a rare diamond in the rough opportunity when you get to listen to performers sing without trying to wow the crowds with big belts reaching the back row. Halsey-Jones’ rendition of ‘All Fired Up’ by Matt Corby is a perfect example of this effective storytelling through music. The simplicity of the chords exposes the luxury of Halsey-Jones’ vocal fluidity leaving you in awe at the sound he is producing.

The entire collaboration, with musical direction from Alex Beetschen, feels very easy to listen to and watch. It’s great to see the ‘accompaniment’ sharing some of the spotlight with Harrison Wilde on guitar and Beetschen on piano creating a shared and universal relationship through music. This is a highlight of the performance as Kirby sings ‘Resentment’ by Beyonce with a stripped back accompaniment featuring Wilde with incredible craftsmanship on the guitar that complements and creates a magic between the music and the vocals accumulating in a spine-chilling performance.

       

The tech setup is impressive: the audio quality with the acoustics of the very trendy, hip “studio” vibe makes this an intimate gig and really sucks you in. Callum Heinrich’s tracking camerawork, if a tad avant-garde, has you feeling as if you are in the room despite the limitations of the pandemic.

Interestingly, Pamela Blair (producer, alongside Harrison Wilde) says “there’s a wall between music and musical theatre.” Not only is this debunked by the talent in this Soft Sessions Live in Concert, but I think the relationship is closer than we might think – I imagine you’d be hard pressed to find a performer who doesn’t have an intimate relationship with music that drew them to singing and storytelling in one way or another; perfectly summed up by the interviews in the piece where each artist explains their relationship which is so raw and human to watch.

You mightalso like

Evita. Rachel Zegler (Eva Perón) & James Olivas (Juan Perón). Credit Marc Brenner

Review: Evita at the London Palladium

Just For One Day Image Credit Evan Zimmerman

Review: Just For One Day – The Live Aid Musical at Shaftesbury Theatre

This producing is exactly what we need to keep reminding ourselves of our identity and love for entertaining talent and sharing the music we love!

Soft Sessions is on Stream Theatre until 2nd May 2021.

Sebastian Calver

Sebastian Calver

Sebastian is an offie nominated actor recently graduated from East 15 Acting School on the BA(Hons) Acting programme. He is currently studying an MA in Musical Theatre at The Royal Academy of Music. His favourite play is Andrew Bovell's 'Things I Know to be True' and his favourite musical is Shaina Taub and Kwame Kwei-Armah's 'Twelfth Night' at The Young Vic

Related Articles

Evita. Rachel Zegler (Eva Perón) & James Olivas (Juan Perón). Credit Marc Brenner
Featured

Review: Evita at the London Palladium

Just For One Day Image Credit Evan Zimmerman
Reviews

Review: Just For One Day – The Live Aid Musical at Shaftesbury Theatre

Errols Garden Image supplied by publicist
Digital

Errol’s Garden Audio Musical and Cast Album Set for Summer Holidays Release

Some of the cast of Brigadoon images supplied by publicist
News

Brigadoon Announces Full Cast for Regent’s Park Open Air Theatre Revival

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I agree to the Terms & Conditions and Privacy Policy.

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Corinna Brown (Sephy) and cast in Noughts & Crosses (c) Manuel Harlan

Review: Noughts & Crosses at Regent’s Park Open Air Theatre

Burlesque in Rehearsal credit Maja Smiejkowska

Rehearsal Photos Released for Burlesque the Musical Ahead of West End Debut at the Savoy Theatre

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • Digital Theatre
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly