• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Reviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Reviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News

The Chaos That Has Been and Will No Doubt Return Embarks on UK Tour Following Award-Winning Edinburgh Run

by Staff Writer
May 15, 2025
Reading Time: 3 mins read
The Chaos That Has Been and Will No Doubt Return credit Chalkline Theatre

The Chaos That Has Been and Will No Doubt Return credit Chalkline Theatre

Following a sold-out, multi-award-winning debut at the Edinburgh Fringe, The Chaos That Has Been and Will No Doubt Return is set to embark on a major UK tour from 15 July to 27 November 2025.

Presented by Chalk Line Theatre, this urgent and poetic production is set in austerity-hit Luton and follows two best friends navigating one chaotic night of youth, violence, and survival.

Winner of Best New Writing (Besties Awards – Fest & Skinny Magazine 2024), Best Individual Performance (Olatunji Ayofe, Theatre Weekly), and a finalist for The List Awards 2024, the show has been described by Lyn Gardner as “Steven Berkoff’s East crossed with a grimy, anti-lyrical Under Milkwood.”

       

Told in real time with biting wit and lyrical intensity, The Chaos That Has Been and Will No Doubt Return explores class, identity, and the rage of a generation forced to fight for freedom.

Writer Sam Edmunds, who grew up in Luton, draws on personal experience and conversations with young people affected by knife violence. He says:

You mightalso like

Sia Kiwa, Eva Scott, Lucy Mackay, Georgina Coram Credit Chris Saunders

Review: Gwenda’s Garage at Southwark Playhouse Borough

Redcliffe Artwork by Harry Neal Creative with photography by Mark Senior

Jordan Luke Gage’s Redcliffe Comes to Southwark Playhouse Borough for a Strictly Limited Run

“I wanted to write a play to deal with the enormity and epic-ness of what it means to grow up in an impoverished community surrounded by violence. This play is ultimately a reflection of my upbringing in Luton, but also about the town’s history and people. It wants to celebrate them as well as highlight the realities they live in. I was inspired to write a story which speaks to the restlessness of the working classes who are constantly repressed by our government, how easily young people can be pulled into violence and how we become a product of an environment built to suffocate us. The play tells us that things need to change, and I desperately want them to.”

The production is co-directed by Sam Edmunds and Vikesh Godhwani, with movement direction and intimacy coordination by Jess Tucker Boyd, design by Rob Miles, and sound by Matteo Depares.

The cast includes Olatunji Ayofe, Elan Butler, and Amaia Naima Aguinaga.

Alongside the tour, Chalk Line Theatre will deliver a national impact programme on knife crime intervention, supported by the Ben Kinsella Trust.

The tour includes stops at Bristol Old Vic, Southwark Playhouse Borough, Jumped Up Theatre Peterborough, Mercury Theatre Colchester, Curve Theatre Slough, Exeter Phoenix, Unity Theatre Liverpool, Norwich Playhouse, and Hat Factory Arts Centre Luton.

       

Listings and ticket information can be found here.

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

Sia Kiwa, Eva Scott, Lucy Mackay, Georgina Coram Credit Chris Saunders
Reviews

Review: Gwenda’s Garage at Southwark Playhouse Borough

Redcliffe Artwork by Harry Neal Creative with photography by Mark Senior
News

Jordan Luke Gage’s Redcliffe Comes to Southwark Playhouse Borough for a Strictly Limited Run

The Grim, photo by RBM
News

Critically Acclaimed Horror Comedy The Grim Returns to Haunt Southwark Playhouse

Cockfosters Cast All Images supplied by the company
News

Cast Announced for Cockfosters Return to Southwark Playhouse Borough

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Disposable credit Noelle Vaughn

Review: Disposable at The Union Theatre

HIGH NOON. Rehearsals. Full Company. Photo Justine Matthew

Full Cast announced for World Premiere of High Noon at Harold Pinter Theatre

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2025
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
    • Edinburgh Fringe Reviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly