The UK and European premiere of Claudia Rankine’s The White Card will open at Northern Stage in Newcastle-upon-Tyne in May before a three-month UK tour.
Directed by Northern Stage Artistic Director Natalie Ibu, the play poses the question: can society progress when whiteness remains invisible? A wealthy, privileged white couple invite a talented Black artist to dinner. Tensions run high and a heated debate uncovers some uncomfortable truths that can’t be ignored about white privilege, cultural appropriation, and representation.
Natalie Ibu said, “The White Card is a courageous and clever debate-play about the privilege of whiteness and the consuming of black trauma as art. Choosing to direct it feels like a provocation – to this building, this sector, this place. Northern Stage is a place to debate ideas, so I’m delighted that we can introduce an internationally renowned writer to the North East. Claudia Rankine is an amazing thinker and writer and, as a Black woman, she has given me a language for my own experiences. Although set in America, the play is just as relevant in the UK – a country where a young Black girl can be strip searched at school or a Black man can be stopped and searched simply for wearing a coat on a sunny day – I think there’s never been a more urgent need for this play and the discussions it will force about race in the UK.”
In a move to remove barriers when it comes to balancing careers and family life, the lead role of Charlotte will be played by Estella Daniels (Chloe/BBC ONE & Amazon) for the first half of the run, before handing over to Christine Gomes (Romeo and Juliet/Orange Tree Theatre). Natalie Ibu explains, “Recent research by Parents and Carers in Performing Arts showed that one in four women are doing 90% or more of the childcare and struggling to work or seek work, and 72% are considering abandoning their career in the performing arts. If you overlay that with Kimberlé Crenshaw’s work on intersectionality, I bet those stats are even worse for Black female pregnant actors. As a sector we must act now to support working mums or mums-to-be or continue to lose incredible talent from our stages, as well as setting our equality goals back decades. ”
Estella and Christine are joined by Matthew Pidgeon (Local Hero/Royal Lyceum Theatre & Old Vic) as Charles; Kate Copeland (The First Man/Jermyn Street Theatre) as Virginia; Nick Blakeley (I Heart Catherine Pistachio/Soho Theatre & Yard Theatre) as Eric and CJ Coleman in his professional debut as Alex.
Natalie Ibu explains it’s important that the way this production is made is as radical as the work, “The White Card is about making the unseen, seen. Embracing the politics of the play and bringing together an incredible team of creatives who are all from the global majority was absolutely vital on this project. We’re also committing to engaging as many Black makers, brands and retailers as possible – for example, sourcing costumes from Black owned companies. I’m proud that, at Northern Stage, we take diversity seriously, both on and off our stages.”
The creative team includes Set and Costume Designer Debbie Duru (Living Newspaper/Royal Court), Sound Designer Roma Yagnik (Mare of Easttown/HBO & Sky Atlantic), Lighting Designer Rajiv Pattani (Sorry You’re Not a Winner/Paines Plough), Movement Director Rachael Nanyonjo (Misty/Bush Theatre & West End), Production Dramatherapist Wabriya King (Black Love/Kiln Theatre), Dialect Coach Eleanor Manners (Is God Is/Royal Court), Fight Director Rachid Sabitri (Seven Ages of Patience/Kiln Theatre) and Assistant Director Wambui Hardcastle, who is working on the production through the Regional Theatre Young Directors Scheme and was a member of Northern Stage’s Young Company.
In an addition to the original production, a local ensemble of Black women at each venue will work with movement director Rachael Nanyonjo on the transition between scenes, transforming not just the physical space but shifting the perspective and power. Natalie explains, “I had the privilege of meeting Claudia Rankine in New York and asked her if there’s anything she wished she’d done differently. She thought about it for a moment and then said that she wished she’d given Charlotte – our single Black protagonist – community. That moved and stayed with me. As Black women, our experiences so often shift from traumatic experiences of being “the only one” publicly to nourishing experiences of being one of many, privately. So, this ensemble of women are really important to us, Black women making the production, and really important to the play.”
A co-production between Northern Stage, Birmingham Rep, Leeds Playhouse and Soho Theatre, in association with HOME Manchester, The White Card premieres in Newcastle in May before touring to London, Leeds, Manchester and Birmingham and streaming online from 16 May – 16 July. www.thewhitecard.co.uk
