Edinburgh Review: Trashed at Underbelly Cowgate
Sometimes you get to the end of a play and you're a million miles away from where you expected to...
Review: Rhys James: Wiseboy at Pleasance Courtyard
At just 26, Rhys James is becoming a Fringe stalwart. The first time I saw him he was doing a...
Edinburgh Review: Brutal Cessation
Milly Thomas’s Brutal Cessation is at The George Square Box under the direction of Bethany Pitts, and is an interesting...
Edinburgh Review: The Rise and Fall of Marcus Monroe
A 3pm, Tuesday afternoon audience, on the first properly sunny day of Edinburgh Fringe, was never going to be easy...
Edinburgh Review: Pike St. at Summerhall
The title doesn’t give many clues to the plot of this particular play, which can be seen at Summerhall’s fantastic...
Edinburgh Review: Brexit The Musical at C Venues
Musicals tend to be based on a central theme; betrayal or jealousy, lies and deception, you know the kind of...
Edinburgh Interview: Therese Ramstedt
Therese Ramstedt - Mission Abort Pain! Shame! Confusion! Or... empowering freedom and a massive relief? Strong opinions on abortion legislation...
Edinburgh Interview: Matthew Floyd Jones
Matthew Floyd Jones - Richard Carpenter is Close To You Richard from The Carpenters used to be on top of...
Edinburgh Interview: Joanne Ryan
Joanne Ryan - Eggsistentialism Looking down the barrel of her final fertile years, one modern woman goes on a comical...
Edinburgh Interview: Jessica Barker-Wren
Jennifer Barker-Wren - Cow at Underbelly Cowgate ‘Hi, why've I got a cow? Why've you got a.../What is that?/A snake...
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