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Home Edinburgh Fringe 2025

Edinburgh Fringe Review: Our Brothers in Cloth at Assembly George Square (Studio Five)

"a triumph of truth-telling and artistic integrity"

by Greg Stewart
August 8, 2025
Reading Time: 3 mins read
Our Brothers in Cloth image courtesy of the production

Our Brothers in Cloth image courtesy of the production

Five Star Review from Theatre WeeklyIn Our Brothers in Cloth, Ronan Colfer has crafted a searing and unforgettable piece of theatre that grips from the first moment and refuses to let go. Set in mid-1990s rural Ireland, this powerful drama explores the devastating legacy of clerical abuse and the silence that allowed it to fester. Playing at Assembly Studios, this production is a masterclass in storytelling, performance and emotional truth.

The play opens at a birthday party, but the atmosphere is heavy with grief. Only months have passed since the funeral of Chris, and his brother Alan is spiralling. Drinking heavily and hiding it from his devout mother, Alan is haunted not just by loss, but by the whispers surrounding the local parish. His mother clings to fond memories of the former priest, Father Mulvaney, while the new priest delivers sermons that punctuate the action with chilling authority. As Alan begins to uncover the truth about Father Mulvaney’s past, he finds himself disbelieved, even by those closest to him.

Jake Douglas delivers a phenomenal performance as Alan, capturing the character’s anguish and determination with remarkable depth. His portrayal is layered and raw, drawing the audience into Alan’s emotional turmoil with every glance and gesture. Douglas’s ability to convey both vulnerability and resolve makes his performance one of the most compelling at this year’s Fringe.

Inspired by real events and marking the 20th anniversary of The Ferns Report, Our Brothers in Cloth is both a tribute to survivors and a challenge to those who still turn away. Colfer’s writing is beautifully layered, weaving family trauma, religious devotion and an ill-fated romantic subplot into a narrative that is as intimate as it is political. Director Ryan McVeigh’s staging is subtle yet striking, allowing the emotional weight of each scene to land with full force.

The cast deliver uniformly strong performances, with each actor contributing to the authenticity and emotional resonance of the piece. The romantic subplot is tender and tragic, adding another layer to the family’s struggle. The production is also partnered with The Survivors Trust and Nexus NI, underscoring its commitment to truth-telling and healing.

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This is theatre that matters. It is not only a story of one family’s reckoning, but a reflection of a nation’s struggle to confront its past. Our Brothers in Cloth is a triumph of truth-telling and artistic integrity.

Greg Stewart

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

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