• Review For Us
    • In London or across the UK
    • at Edinburgh Fringe
  • List Your Show
  • Advertising
  • Musicals
  • Plays
  • Ballet & Dance
  • Previews
  • First Look
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
  • Home
  • News
    • West End
    • Off-West End
    • Regional & Tours
  • Reviews
  • Interviews
  • Digital Theatre
  • Tickets
    • Special Offers
    • Musicals
    • Plays
    • Family Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer
No Result
View All Result
Theatre Weekly
No Result
View All Result
Home News

Goodbye Dandelion named first recipient of Underbelly Futures Fund Award

New work by siblings Maddie Rice and Marcus Rice receives funding and development support ahead of Edinburgh Festival Fringe run

by Staff Writer
July 2, 2026
Reading Time: 3 mins read
Goodbye Dandelion Credit Alexis Dubus

Goodbye Dandelion Credit Alexis Dubus

Underbelly has announced Goodbye Dandelion as the inaugural recipient of its Underbelly Futures Fund Award, a new initiative designed to support exceptional new work at and beyond the Edinburgh Festival Fringe.

Created by award-winning writer and performer Maddie Rice and composer Marcus Rice, Goodbye Dandelion has been recognised for its artistic merit and potential for future touring.

As the 2026 recipient, the production will receive a package of support including £5,000 in grant funding and £5,000 in investment to support the current and ongoing life of the show.

       

The award also includes a favourable venue agreement, enhanced marketing support, in-kind rehearsal space, financial assistance for accessible performances and an opportunity to perform as part of Underbelly Soho’s Fringe Fix Season in September.

Created and directed with Katie Pesskin, Goodbye Dandelion is performed by real-life siblings Maddie and Marcus Rice. Blending storytelling and live piano music, the show follows the final years of 87-year-old Darcy through the eyes of an unlikely new friend, exploring friendship, mortality and what it means to truly live.

You mightalso like

Underbelly Michael Aiden Photography

Underbelly Unveils 185-Show Edinburgh Fringe 2026 Programme

The Revel Puck Circus Image supplied by publicist

Underbelly announces Circus Hub lineup for Edinburgh Festival Fringe 2026

The production was first presented in development at Underbelly’s Belly Scratch scratch night in November 2025, where it stood out for its writing, use of music and the on-stage dynamic between the sibling performers.

The show marks Maddie Rice’s return to Underbelly after her acclaimed appearance in Fleabag in 2017, where she became the only actor other than Phoebe Waller-Bridge to play the role. She also previously brought her award-winning solo show Pickle Jar to the venue in 2018.

Marina Dixon, Head of Programming at Underbelly, said: “We were all highly impressed with the beautiful and sensitive writing, the way the music is used to heighten the story, the clear on-stage familial dynamic between Marcus and Maddie, and the willingness to take on a controversial and relevant topic.

“We are proud to name Goodbye Dandelion as the recipient of the inaugural Underbelly Future Fund Award and look forward to supporting the show’s continued development and future journey.”

       

Maddie Rice said: “We’re so thrilled to be supported by the Underbelly Futures Fund! Goodbye Dandelion begun life at BellyScratch, and as a writer/ performer I’ve done most of my previous fringe shows at Underbelly- so this feels like a full circle moment. It’s my first time at the fringe for 7 years and feels extra special to have this support and to be working with Marcus and Katie. Thank you Underbelly!”

Staff Writer

Staff Writer

At Theatre Weekly we are dedicated to giving theatre a new audience. Our News, Reviews and Interviews are all written with the audience in mind, helping you decide what to see next. And when you have decided, our great ticket deals will help save you money too.

Related Articles

Underbelly Michael Aiden Photography
Edinburgh Fringe 2026

Underbelly Unveils 185-Show Edinburgh Fringe 2026 Programme

The Revel Puck Circus Image supplied by publicist
News

Underbelly announces Circus Hub lineup for Edinburgh Festival Fringe 2026

Tweedy The Clown Credit Patrick Baldwin
Interviews

Interview: Tweedy The Clown on Tweedy’s Massive Circus: The Big Number 2 on tour

Theatre Weekly's Best of the Fest 2025
Edinburgh Fringe 2025

Theatre Weekly’s Best of the Fest 2025

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT
Twitter Facebook Youtube Instagram

At Theatre Weekly we give theatre a new audience. You'll find our theatre news, theatre reviews and theatre interviews are written from an audience point of view. Our great value London theatre tickets will get you the best deal for your theatre tickets.
Theatre Weekly, 124 City Road, London EC1V 2NX
  • Join Our Community
  • Privacy Policy
  • Cookie Policy
  • Terms and Conditions
  • Contact Us
  • Advertising

Recent News

Charlotte Longstaff headshot Image supplied without credit by publicist

ATG Entertainment strengthens UK programming team with return of Charlotte Longstaff

Birdcatcher credit Niall McDermid

Papatango and Pentabus launch new partnership with tours of The Silence and The Noise and Birdcatcher

© 2022 Theatre Weekly

No Result
View All Result
  • Home
  • Tickets
  • News
    • News
    • West End
    • Off West End
    • Regional & Tours
    • Digital
  • Interviews
  • Reviews
  • Digital Theatre
  • Edinburgh Fringe 2026
    • Edinburgh Fringe News
    • Edinburgh Fringe Previews
    • Edinburgh Fringe Interviews
  • Contact Us
    • Join us as a Reviewer

© 2022 Theatre Weekly