Danny Bailey stars in Stratford East’s revival of hit Windrush Ska musical The Big Life, with book by Paul Sirett and Tameka Empson, lyrics by Paul Sirett, and music by Paul Joseph.
The production, which opens 20 years after it premiered at the venue and transferred to the West End, runs at Stratford East, Friday 16 February – Saturday 30 March 2024.
Tinuke Craig directs Tameka Empson reprising her role as Mrs Aphrodite from the original production, joined by Juliet Agnes (Kathy), Danny Bailey (Admiral/Eros), Gabrielle Brooks (Sybil), Nathanael Campbell (Bernie), Khalid Daley (Dennis), Beth Elliott (Jacqueline/Secretary), Leanne Henlon (Mary), Rachel John (Zulieka), Karl Queensborough (Lennie) and Ashley Samuels (Ferdy).
You’re starring in the 20th anniversary production of The Big Life, what can you tell us about the show?
Last year we celebrated 75 years of the Empire Windrush, noting the contribution of Black British Caribbean’s to British society. The Big Life is the celebration of that generation, their joy, their music, their love and their triumphs – all despite the hostility they faced from British society. It’s a fun show full of brilliant music and comedy, one for all the generations that celebrates the staying power of Black Britons.
What was it about the show that made you so keen to be a part of it?
Personally, my grandparents were invited amongst many Caribbean’s, to the UK in the 1950’s to rebuild Britain after the war and gain opportunities. Although, my Nanny, Doris Alexander, used to say “England was no bed of roses”, she found joy and love here. Doing this show is a head nod to my Grandparents and that generation, who without their sacrifice I wouldn’t be here. This was an opportunity to revel in their love, joy and culture.
Tell us a little about your characters and what you enjoy most about them?
I play Admiral who is a mischief maker, always out to make a quick buck and whine his waist in the process. A true reveller.
And what do you think will be the most challenging aspect of appearing in The Big Life?
I think the most difficult aspect of this show is not the physical or technical aspects, it is the responsibility of carrying such an important story. Important because it gratifies my existence here, but also because this narrative is rarely explored in theatre. Holding that history and channelling the sheer joy of the show is the responsibility.
Why do you think this Ska musical is still so important today?
Ska music is important as it was birthed from the fusion of Caribbean and British culture, bridging the gap between black and white communities across the UK. It was truly the soundtrack of the period and in a time where we now question what it means to be British, Ska music provides the definition.
What would you say to anyone thinking of booking to see The Big Life?
Come and see the show! It’s hilarious, full of incredible performers and a show for all generations.
